ca. November 1-2, 1970 fragments

Having just posted on Janis's wake, which is said to have taken place on 10/26/70, I find myself wanting to at least take a stand on a few other gigs which have left me a little befuddled over the years.

The first involves a "First Annual San Francisco Halloween Marathon Festival of the Performing Arts", running 8 PM Friday 10/30/70 through midnight Sunday, 11/1/70 at the Harding Theater. Among the artists scheduled to appear during the 40 continuous hours of music we find Thelonious Monk, Les McCann, NRPS, Bobby Hutcherson, the Rafael Garrett Circus, Shades of Joy, Beefy Red, Pemmican, the Hot Hush Puppy Rocking and Jamming Society, the Ann Halprin Dance Troupe, theater groups and filmmakers. Subtitled "Marathon '70", the event was put together by Delano Dean, Lenny Sheftman and Gerry Pearlman of the Both-And, with proceeds going toward establishment of the Harding as an ongoing center for the performing arts.

Wasserman wrote the event up in general terms on 11/4/70, though he didn't mention the New Riders. Let's assume they performed as advertised. Since they were in Stony Brook on 10/30 and 10/31, I list this as a NRPS gig on 11/1/70 at the Harding. I guess I have already written this up, so you can just consider this pinned in my own data, and enjoy the above snippet of the Chron.

! announce: "A Halloween Marathon at the Harding," San Francisco Chronicle, October 23, 1970, p. 50;
! listing: San Francisco Chronicle, October 30, 1970, p. 45;
! expost:  Wasserman, John L. 19701104. On the Town: Marilyn Maye--Zing in the Anthem. San Francisco Chronicle, November 4, 1970, p. 58;
! mention: "From the Music Capitals of the World", Billboard, November 21, 1970, p. 25 (accessed via Google Books);
! JGMF: "NRPS: ca. 11/1/1970?" URL http://jgmf.blogspot.com/2009/11/nrps-ca-1111970.html.

The second is also at the Harding, and comes from a listing I found once the digital Examiner came to my attention. From that entry: "11/2/70 (Monday): Jerry Garcia / BBHC / Ice / Cleveland Wrecking Company. Harding Theater. Benefit for A Learning Place. I don't know if this would have been NRPS or JGMS; I am listing as JGMS for no particular reason."

So, another benefit, same building, the next night. Odd, but, OK.

! listing: San Francisco Sunday Examiner and Chronicle Datebook, November 1, 1970, p. 27;

! listing: San Francisco Examiner, November 2, 1970, p. 35;

! JGMF: "New-to-The-List from the Examiner, 1970-1972," URL http://jgmf.blogspot.com/2018/10/new-to-list-from-examiner-1970-1972.html.

As a final point, I'd just note that this timeframe really shines a light both on how much our boy liked to play, and on how ready he was to fly back home between gigs in other time zones, when logistics might suggest he not do so.

October 10-12, he does three gigs in New York and Jersey, then flies home to play the Matrix for two nights, before flying back to Philly for a gig on the 16th. Then Cleveland and Minneapolis, back home to the Matrix, three nights off before gigs in DC and St. Louis on 10/23-24. Home for Janis's wake, two nights in Stony Brook, home for these two benefit gigs and, on November 3rd, a session with Crosby at Heider's as well as a Matrix gig, Heider's again on the 4th, then playing somewhere in the state of New York every night (often Dead and New Riders, sometimes two shows a night) from the 5th through the 16th (less a canceled show on 11/15/70). And on and on and on through the end of November. What a nut.

New-to-The-List from the Examiner, 1970-1972

In addition to the tantalizing May 20-21, 1969 Garcia gigs at the Matrix, the newly-digitized Examiner has yielded a good number of previously unlisted, mostly-midweek Garcia gigs. A little list  from 1970-1972 follows.

update: see also a subsequent list from 1973-end

11/2/70 (Monday): Jerry Garcia / BBHC / Ice / Cleveland Wrecking Company. Harding Theater. Benefit for A Learning Place. I don't know if this would have been NRPS or JGMS; I am listing as JGMS for no particular reason.
! Listing: San Francisco Sunday Examiner and Chronicle Datebook, November 1, 1970, p. 27;
! Listing: San Francisco Examiner, November 2, 1970, p. 35.
! seealso: https://jgmf.blogspot.com/2019/11/ca-november-1-2-1970-fragments.html.

1/5/71 (Tuesday): JGMS at Matrix
! listing: San Francisco Examiner, January 5, 1971, p. 24.

2/4/71 (Thursday): JGMS at Matrix
! listing: San Francisco Examiner, February 4, 1971, p. 25.

3/30/71 (Tuesday): NRPS at Matrix. I interpret this as warmup for the east coast tour. BTW, they also played the next night, according to a redacted source, so we can add 3/31/71 (Wednesday), same band and room.
! listing: San Francisco Examiner, March 30, 1971, p. 24.

11/24/71 (Wednesday): JGMS at Keystone Korner. Garcia's first-known gig for Freddie Herrera had happened the night before Thanksgiving the year before with the New Riders. Jerry and Merl reprise the gig on its first anniversary.
! listing: San Francisco Examiner, November 24, 1971, p. 20.

1/18/72 (Tuesday): JGMS at Lion's Share
! Listing: San Francisco Examiner, January 18, 1972, p. 21.

3/1/72 (Wednesday): JGMS at Keystone Berkeley (formerly New Monk). I now understand this to be the very first night for the so-named Keystone at the corner of University and Shattuck. It's a fitting indicator of the centrality of Garcia to Freddie's enterprises that he would play this opening night at the old Monk. (See also "Jerry and Freddie, mid-March 1972".)
! Listing: San Francisco Examiner, March 1, 1972, p. 33.

6/3/72 (Saturday): JGMS at Keystone Korner
! Listing: San Francisco Examiner, June 3, 1972, p. 10.

8/31/72 (Thursday): JGMS at Keystone Berkeley
! Listing: San Francisco Examiner, August 31, 1972, p. 31.

12/26/72 (Tuesday): JGMS at Keystone Korner. This one puzzles me, because the KK would have been under Barkan's ownership at this point. Barkan has narrated that he once hosted Jerry and Merl (after he started booking the room on July 7th), but didn't dig the vibe and stuck thereafter with jazz. This could well be that very gig. I still don't know what to make of a listing for JGB at KK four years later, of course ...
! Listing: San Francisco Examiner, December 26, 1972, p. 28.

JGMS September 9, 1971 - Harding Theater - New to The List

A few years ago we had a good time talking around some putative Dead shows at the Harding Theater, 616  Divisadero, on September 3-4, 1971. These shows have never been known from anything other than the listing I found, and they may not have happened.

I mentioned there the odd cluster of September 1971 Garciavents at the Harding - a September 10 JGMS billing and the NRPS gig from 9/23/71, in addition to the first weekend of the month. I have one more to add to The List, a Garcia-Saunders billing at the Harding on Thursday, September 9, 1971, per both a Datebook listing and an item in the SFC.

So now we have 3rd and 4th with GD, 9th and 10th with Merl and 23rd with the New Riders, all within the same month. That may be some kind of record - Jerry playing the same room with three different bands in the same month.

listing: DB, SFC, September 9, 1971, p. 44;
item: "Garcia, Fogerty at Harding," SFC, September 9, 1971, p. 44.

GD19710903-4: Harding Theater, SF, CA

Here's another one that puzzles me. This scan from the Berkeley Tribe v.6 n.4 (issue #110) (September 3-9, 1971), p. 13 advertises a benefit for Marin County Head Start featuring Grateful Dead, Howard Wales and Shades of Joy on Friday-Saturday, September 3-4, 1971 at the Harding Theater in San Francisco.

Why post? A few reasons.

First, this is not a Grateful Dead date that's known to me, so it's interesting in that regard. I don't have anything else going on for Jerry on this weekend, so it fits in the schedule. I have an unknown NRPS gig listed for September 5 (Sunday), no venue or other info ... no idea where that comes from. I show Garcia and Saunders at the Harding Theater on September 10 and the NRPS there on September 23. This is an odd little cluster of shows at this venue which begs an explanation, I think, but in any case another couple of gigs fit this little pattern.

Second, last year I had posted on a listing in the (San Rafael) Pacific Sun for a Grateful Dead gig at Marin Vets on 11/28/71 to benefit, you guessed it, Head Start. Nothing more ever turned up and, as Corry said in comments, it seems unlikely that the event happened. But it's weird to find another Head Start connection from just a few months before.

Third, the presence of Howard Wales on the bill is especially interesting. LIA has been writing some incredibly rich posts on the Hartbeats, the surface of which I have barely scratched. In his post on the July 1970 "Hartbeats" gigs, he a) mentions the story that Wales once had an audition with the Grateful Dead; b) notes McNally's timeframe for this of September 1971; but c) speculates that, instead, the Wales audition took place around July 1970 instead. Now here we have a Grateful Dead/Wales co-billing, in September 1971, in the same month during which we know the Grateful Dead were rehearsing their new keyboard player, who turned out to be Keith Godchaux.

The listing that forms the object of this post makes me return to the September 1971 time frame for Howard's GD "audition". Let me go a step further ... the story of Keith becoming a member of the GD is well known. Here's how Donna relates it, from Blair Jackson's fantastic cutting room floor, once she and Keith had flashed on him playing with the GD.

"We went home, looked in the paper and saw that Garcia's band was playing at the Keystone, so we went down, of course. At the break, Garcia walked by going backstage, so I grabbed him and said, 'Jerry, my husband and I have something very important to talk to you about.' And he said, 'Sure.' I didn't realize that everyone does that to him. So Garcia told us to come backstage, but we were both too scared, so we didn't. A few minutes later, Garcia came up and sat next to Keith, and I said, 'Honey, I think Garcia wants to talk to you. He's sitting right next to you.' He looked over at Jerry and looked back at me and dropped his head on the table and said, 'You're going to have to talk to my wife. I can't talk to you right now.' He was just too shy. He was very strong but he couldn't handle that sort of thing. So I said to Jerry, 'Well, Keith's your piano player, so I want your home telephone number so I can call you up and come to the next Grateful Dead practice.' And he believed me! He gave me his number."

(Actually, Keith was not completely unknown in the Grateful Dead world. Betty Cantor had used him on a studio session for a record by James & the Good Brothers and thought very highly of him.)

(That last bit isn't especially germane, but I wanted to note the James & The Good Brothers connection, having just posted on it, and note further that, per Matt Scofield's deaddisc, Keith is not credited on that album. FYI, FWIW, etc.)

Why do I quote that at such length? Well, I observe that Garcia and Saunders played the Keystone Korner on September 16, 1971 (listing in Hayward Daily Review, September 16, 1971, p. 25). I note that circulating recordings of Keith's GD rehearsals are dated from September 27. So, wild speculation time, friends and neighbors: I suggest that September 3-4 at the Harding were the tryouts with Wales, that it didn't go especially well, that Keith and Donna buttonholed Jerry on September 16, and that Keith started in not more than 11 days later with the Grateful Dead. How's that for an extrapolation?!?

I also wonder, compounding speculation with speculation, if all of this might not tie into all of the record company backing and forthing and the relatively long gestation period of Hooteroll? (remember -- All Hooteroll?, All The Time!), which wasn't released until December. Again, I know I am going way beyond the evidence, but isn't it also interesting that Shades of Joy is on this bill, another Douglas Records client?

Sorry to throw so much out there with this. Anyway, here's an attempt at a summary of what this post does:

• identifies previously unknown GD gig
• may well pin down the date of Howard Wales's "audition" with the GD
• may well pin down the "when Keith & Donna met Jerry" date at Keystone Korner
• may well identify some connections between all of this and the record company scramble around this whole group of people around this time.

OK, 'nuff for now, I guess. The Berkeley Tribe is a masterpiece!