I enjoyed this. Some mumblyverse, but some real depth of feeling, too. I really enjoyed this version of "The Maker", with a little extra vocalization at the end that I can't quite make out --it's supposed to be "oh river, rise from your sleep" (h/t minches)-- and there's some real goodness in "Don't Let Go", as well.
RIP Danny Lucien.
Jerry Garcia Band
The Warfield
982 Market Street
San Francisco, CA 94102
May 3, 1992 (Sunday)
Lucien MAD shnid-106771
--set I (6 tracks, 50:57)--
s1t01. //Cats Under The Stars [#8:57] [2:02]
s1t02. Waiting For A Miracle [5:38] [1:27]
s1t03. Run For The Roses [5:24] [0:37]
s1t04. Struggling Man [6:22] [0:44]
s1t05. Mission In The Rain [10:32]
s1t06. Lay Down Sally [8:29] (1) [0:08]
--set II (7 tracks, 75:58)--
s2t01. Everybody Needs Somebody To Love [9:37] [1:10]
s2t02. Shining Star [12:35] [0:43]
s2t03. Tore Up Over You [7:46] [1:37]
s2t04. The Maker [8:05] [0:26]
s2t05. Don't Let Go [15:45] [0:17]
s2t06. That Lucky Old Sun (Just Rolls Around Heaven All Day) [11:58] [0:05]
s2t07. Midnight Moonlight [5:50] (2) [0:04]
! ACT1: Jerry Garcia Band #21b
! lineup: Jerry Garcia - el-g, vocals;
! lineup: John Kahn - el-b;
! lineup: Melvin Seals - keyboards;
! lineup: David Kemper - drums;
! lineup: Gloria Jones - vocals;
! lineup: Jacklyn LaBranch - vocals.
JGMF:
! R: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [x:xx] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.
! Jerrybase: https://jerrybase.com/events/19920503-01
! db:
! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2013/02/warfield-982-market-street-san.html
! venue: http://hooterollin.blogspot.com/2011/11/september-25-1980-fox-warfield-theater.html
! band: http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html
! R: field recordist: Danny Lucien
! R: field recording gear: 2x Schoeps MK4 > Rbox > Panasonic SV250
! R: field recording location: Drink Rail
! R: Transfer: SV3700 -> RME Hammerfall DSP (SPDIF) 16/48 -> Nuendo
! R: s1t01 CUTS cuts in
! P: s1t01 CUTS too many go 'rounds, way too many. Way, way too many.
! P: s1t02 WFAM lots of little lyrical flubs and whatever. I do like how he says "how come history gotta take such a long long time" instead of "the future" - feels Rodney King relevant, though that's pretty surely projection.
! P: s1t03 RFTR some more lyrical irregularity
! P: s1t06 LDS he starts with the chorus.
! s1t06 (1) JG: "Thanks a lot. We'll be back in a few minutes."
! P: s2t01 ENSTL the crowd seems very stoked to hear this one, special cheer at 0:49 for not-sure-what. Love the tone and the notes in 5. Great playing.
! P: s2t04 Maker he is singing in a different key than usual. Lyrical issues. Some interesting lyrical improv at the end, 6:20 "run rabbit [?] run way from yo [space]"
oh oh still waters
dark and cold like the night
I stand with arms wide open
I run the twisted mile
I'm a stranger in the eyes of The Maker
I could not see for the fog in my eyes
I could not feel for the fear in my life
across the great divide
in the distance I saw a light
Jean-Baptiste walking to me with The Maker
My body is bent and broken
[mumble] and dangerous sleep
I can't work the fields of Abraham
turn my head away
I'm not a stranger in the hands of The Maker
Brother John have you see the homeless daughters?
standing there with broken wings
I've seen the flaming swords
there over east of Eden
burning in the eyes of the Maker
oh burning in the eyes of the Maker
whoa burning in the eyes of the Maker
run [] run ... away from your [??]
! P: s2t05 DLG nice low vocalizations 4, starts doubling after 4:30 or so, with some interesting variations before stepping back from mic 5:02. He lets things go to a big orchestral melt around 9:25, then he starts doing a swing march that is really wonderfully groovy, now minor allusion 10:20, John modal, Melvin light and Kemper glue holding it together. Faster flurrying late 10 over 11. Return to tune late 13.
! s2t07 (2) JG: "Thanks a lot. See ya next time."
