Ozzie and Johnny D

LN jg1979-10-07.jgb.all-2.aud-angus-hart.106528.flac1644

First night out for Ozzie Ahlers and John d'Fonseca (and hence, of JGB #11a). Sunday night is consistent with pattern of breaking in new guys on off-nights, but the Garcia fans don't worry about work on Monday morning.

Probably not surprisingly, this performance is not a world-beater. They are feeling each other out.

This was not listed in BAM no. 65 (October 5, 1979), p. 10. That makes me think it might have been a relatively late booking. We don't really know how Reconstruction ended. Recall that Reconstruction was listed at least in BAM (no. 63, September 1, 1979, p. 14) for a 9/29/79 gig, though we don't know if that was supposed to have involved Garcia. What's more, the Keystones ad at TJS just lists "Jerry Garcia", which is a little ambiguous. I am not sure it means anything, but it could. It's all kind of consistent with the possibility that JGB #11a was put together even more hastily than we have thought.

Jerry Garcia Band
Keystone
2119 University Avenue
Berkeley, CA 94704
October 7, 1979 (Sunday)
Angus-Hart all-2 flac1644 shnid-106528

--set I (6 tracks, 51:05, missing one song)--
s1t01. tuning [0:09]
s1t02. How Sweet It Is (To Be Loved By You) [7:54] [0:02] % [0:27]
s1t03. Catfish John [8:13] [0:05] % [1:11]
s1t04. Simple Twist Of Fate [8:33] [0:12] % [0:46]
s1t05. After Midnight [9:31] [0:24] % [0:17]
[MISSING: Friend of the Devil]
s1t06. Harder They Come [13:00] (1) [0:19] %

--set II (6 tracks, 48:25, missing one song)--
s2t01. tuning [1:03] % [0:04]
s2t02. Money Honey [9:49] [1:16]
s2t03. They Love Each Other/ [8:33#] % [0:14]
s2t04. Sitting In Limbo [7:53] [0:26] % [0:16]
s2t05. Russian Lullaby [12:00] [0:10] % [0:12]
s2t06. That's Alright Mama [6:14] [0:13]
[MISSING: Tore Up Over You]

! ACT1: Jerry Garcia Band #11a
! lineup: Jerry Garcia - guitar, vocals;
! lineup: Ozzie Ahlers - keyboards, synthesizers;
! lineup: John d'Fonseca - drums;
! lineup: John Kahn - bass.

JGMF:

! R: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [x:xx] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19791007-01

! db: http://etreedb.org/shn/14081 (s2 partial, same master, deprecated); http://etreedb.org/shn/32616 (same master, deprecated); http://etreedb.org/shn/106528 (this fileset).

! map: http://goo.gl/maps/z22BN

! venue: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/02/keystone-2119-university-avenue.html; Arnold, Corry. 2010. 2119 University Avenue, Berkeley, CA: The Keystone Berkeley. Lost Live Dead, December 31, 2010, URL http://lostlivedead.blogspot.com/2010/12/2119-university-avenue-berkeley-ca.html, consulted 4/22/2012.

! band: JGB #11a (http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html)

! expost: "Newsreels," BAM no. 66 (October 19, 1979), p. 17.

! tags: 1979, JGB, John Angus, Scott Hart, Keystone, Berkeley, CA, tapers, listening notes, Ozzie Ahlers, John d'Fonseca

! R: field recordist: John Angus and Scott Hart;

! R: field recording gear: 2x Sony microphones > Technics cassette deck

! R: transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 3.0 (dither/downsample) > FLAC encoding.

! R: Pitch Correction by Joe B. Jones

! R: seeder notes: Thanks to Harry Angus for providing the master tapes.

! personnel: First show for Ozzie Ahlers and John d'Fonseca. Consistent with the pattern of breaking in new guys off-the-beaten path, and/or on off-nights, this is a Sunday show, as is the second gig a week later in Palo Alto.

! R: John Angus and Scott Hart pulled some amazing tapes during the 1978-1981 period, very often the only tapes of any given show. They are rather randomly distributed across this timeframe, a show or two a year. They're not all great, but a few of them (11/18/79, 2/1/80, 2/22/81) are masterpieces. I really mean this. Next time you go to a show, bring your microphones (2x!) and tape recorder and record it. No? No. It's a bitch. I tried it a few times (Grateful Dead 8/22/87, JGAB and JGB 11/28/87) and I nearly died of stress and confusion. A great ambient recording of this kind of event is the quintessential human accomplishment. We are such freaks! This is not one of Angus's best tapes, but I think that's down in part to the sound coming out of the speakers at 2119 University this night.

! P: sluggish, uninspiring. I know it's their first night out, and the sound doesn't sound great.

! R: s1t02 HSII the mix takes a while to come in, not sure how much of this is tape and how much is tape. Sounds muddy. Taper talk "put this right by the wall, man", implies that they are still positioning?

! P: s1t02 HSII around 5:09 they have a little hiccup to get to a little Ozzie run in the 5-min mark. I don't like the sound of these keys, but he plays well. Late 5-min mark Garcia steps up, perhaps a bit rudely, and starts soloing. I would say he cut Ozzie off. But let's be charitable and say that they are just trying to learn to play together, and one needs to send clearer signals, perhaps, at this stage of a professional collaboration. Here are the limits.

! P: s1t03 CJ, pretty good, nothing to write home about.

! P: s1t04 STOF I was just thinking that it's cruel of me to so frequently listen to the first show, or other very early shows, of any given band. They are just getting it together! Here, they don't quite hit the  1 of the first verse, which Garcia typically started in on right away. So they set themselves up, and we get a pleasant little waltz for a minute or so. Not bad. @ 1:09 crowd guy yells "Louder!", telling me it's the PA that's a problem. And I totally agree with him. I don't know if this tape is picking up PA or stage monitors, but the vocals are low, the whole volume is low relative to the crowd. Late 7-minute mark, Garcia has to be pretty terse in bringing things to a close. I think Johhny D. and the tempos are where he's mainly signalling: Ozzie seems pretty tight with Jerry.

! s1t06 (1) JG: "We're gonna take a break for a little while. We'll be back a little bit later." Or something like that.

! P: s2t02 MH meh

! R: s2t03 TLEO clips out

! P: s2t05 RL John bass feature late 6 over 7.

! P s2t06 TAM totally uninspired.

Late for Supper: JGB at Keystone Palo Alto, October 7, 1978

LN jg1978-10-07.jgb.all.aud-angus-hart.105024.flac2496

Jerry Garcia Band
Keystone Palo Alto
260 South California Avenue
Palo Alto, CA 94306
October 7, 1978 (Saturday)
Angus-Hart complete aud flac2496 shind-105024

--set I (6 tracks, 56:11)--
s1t01. tuning [0:20]
s1t02. I Second That Emotion [12:40] [0:08] %
s1t03. It Ain't No Use [8:31] [0:02] % (1) [1:00]
s1t04. Knockin' On Heaven's Door [14:47] [0:04] % [0:06]
s1t05. Mystery Train/ [9:18#]
s1t06. The Night They Drove Old Dixie Down [9:11] (1) [0:03] %

--set II (7 tracks, 51:27)--
s2t01. tuning [0:12]
s2t02. Tore Up Over You [8:53] [0:02] % [0:10]
s2t03. Let Me Roll It [10:42] [0:03] % [0:10]
s2t04. Gomorrah [6:19: [0:02] % [0:19]
s2t05. Love In The Afternoon  [10:03] [0:01] % [0:24]
s2t06. I'll Be With Thee [5:21] [0:02] % 5:24-
s2t07. Rhapsody In Red [7:53] [0:03] %

! ACT1: Jerry Garcia Band #4a
! lineup: Jerry Garcia - el-g, vocals;
! lineup: John Kahn - el-b, vocals;
! lineup: Keith Godchaux - ac-piano;
! lineup: Buzz Buchanan - drums;
! lineup: Donna Jean Godchaux - vocals;
! lineup: Maria Muldaur - vocals.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [m:ss] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [m:ss] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19781007-02

! db: http://etreedb.org/shn/105024 (this fileset), http://etreedb.org/shn/104978 (this transfer, flac1644), http://etreedb.org/shn/14112 (deprecated shn fileset).

! map: http://goo.gl/maps/Zx14m

! venue: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/11/keystone-sophies-260-s-california-ave.html

! band: JGB #4

! R: field recordist: John Angus and Scott Hart;

! R: field recording gear: Sony ECM-99 microphone > Sony TC-158 cassette deck

! R: transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > FLAC encoding. Pitch Correction by Joe B. Jones. Thanks to Harry Angus for providing the master tapes. This is the 24/96 version.

! R: This is a pretty nice waayyy up-front audience recording. Which means that the vocals are a little low, the bass is a little indistinct, but the percussion (drums and piano) is, well, percussive. The guitar is well captured.

! P: Overall, meh. Keith is a little wobbly in set I, I think, and the song selection doesn't knock me out. On its face, only KOHD really draws my eye. The second set has a much more attractive setlist, but IMO the show never achieves liftoff. I was really looking forward to "Let Me Roll It", but it's a shadow of the killer version from 6/18/78. They never played it again, as far as is known. The deep Cats numbers are fine, but you want them to tear your eyeballs out with "Rhapsody In Red" to close the show, and they just never do. Second set setlist > second set performance. Overall performance, again, not great.

! historical: Garcia, Keith and Donna (GD) were working at Club Front on Shakedown Street during the day, gigging with JGB at night. They just booked up a bunch of shows with Freddie Herrera, five out of six nights (7-8, 10-11-12) at his clubs in Palo Alto and Berkeley. This booking (weekend through the week) strikes me as uncommon and possibly noteworthy. Maybe trying to get Keith and Donna some paydays before they shove off?

! R: t02 level flux in 2TE

! P: s1t02 ISTE @ 2:30 Keith does a beautiful little run, but it's fleeting. I see what Buzzy meant when he said that Keith was so heavily percussive ... he's really upfront on this tape. @ 4:28 Jerry is doing some really nice bending, trying some stuff out. Again, around 6:15 KG is playing well. And now 6:30 he is soloing. He feels a little tentative to start, then he moves to higher register and gets a little more fluid. They let things get really, really soft early in the 9-min mark, almost like Jerry is stepping back to let Keith go where he's comfortable, which right now is more delicate picking at the keys, it's soft and, frankly lovely. I don't recall ever hearing them hit this space ... hell, maybe it's just a fucked up tempo problem! They return to the verse around 10-, and it doesn't sound quite together. Again: I think of what BB said about tempo problems, combined with Keith's raw power, have everyone swinging in the breeze a little bit.

! P: s1t03 IANU nice blues, Jerry, playing really nicely to start the song. He probably have started the vocals, but he takes another turn around the dancefloor, gets it together, brings first verse around 1:20. @ 6:55 JG fanning. Doesn't end very successfully. NB had not been played since 12/31/75.

! s1t03 (1) some joker calls out "Late For Supper" around 9-min mark.

! R: s1t05 MT end clips, not much missing

! s1t06 (1) "We're gonna trake a break for a little while. We'll see you a little later//"