Late '78 Kahn (JGB at Paramount Theatre, Portland, OR, October 26, 1978)

LN jg1978-10-26.jgb.all.aud-severson.148655.flac2496

Not a ton to report. Kahn sounded absolutely amazing on this tour. Really, all through 1978. I don't know if he changed something, if the sound people just dialed him in especially well, or something else, but the bass was big and fat. Great recording by Mark Severson, full of ambience. Garcia strong.

Apparently young Buzzy had let his union membership lapse, because the Portland Musician's Mutual Association, A.F. of M Local number 99 sent a "Dear Sir and Brother" letter, fraternally hoping that notice of Buzzy's delinquency would give everyone "sufficient opportunity to avoid a repetition of this occurrence in any A.F.M. Local's jurisdiction, which could result in files being filed against" ol' Jer.

Jerry Garcia Band

Paramount Theatre

1037 S.W. Broadway

Portland, OR 97205

October 26, 1978 (Thursday)

Severson shnid-148655 flac2496

--set I (7 tracks, 6 tunes, 64:14)--

s1t01. ambience [1:16]

s1t02. Harder They Come [10:53] [1:57]

s1t03. Mission In The Rain [10:11] [0:16] % [0:49]

s1t04. Simple Twist Of Fate [10:38] [2:04]

s1t05. They Love Each Other [7:08] [1:56]

s1t06. It Ain't No Use [7:58] [0:19] % [0:17]

s1t07. Mystery Train [8:18] (1) [0:14]

--set II (7 tracks, 6 tunes, 64:20)--

s2t01. ambience [0:43]

s2t02. Love In The Afternoon [10:26] [1:46]

s2t03. Reuben And Cherise [5:37] [1:33]

s2t04. Tore Up Over You [7:50] [1:33]

s2t05. Gomorrah [5:56] [0:08] %

s2t06. /I'll Be With Thee [#5:09] [1:32]

s2t07. Lonesome And A Long Way From Home [21:45] [0:14] % dead air [0:04]

! ACT1: Jerry Garcia Band

! lineup: Jerry Garcia - el-guitar, vocals;

! lineup: John Kahn - el-bass;

! lineup: Buzz Buchanan - drums;

! lineup: Keith Godchaux - keyboards, harmony vocals;

! lineup: Donna Jean Godchaux - backing vocals;

! lineup: Maria Muldaur - backing vocals.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; # = truncated timing; {x:xx} = time as tracked on this recording; [x:xx] = recorded even time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19781026-03

! db: 

! map: https://goo.gl/maps/BNUjS75ANNs

! JGBP: URL https://jerrygarciasbrokendownpalaces.blogspot.com/2012/08/paramount-theatre-paramount-northwest.html

! ad: Sunday Oregonian, October 8, 1978, p. 16

! ad: Capital-Journal (Salem, OR), October 13, 1978, p. 14-A

! seealso: Nick, "10/24/78: floundering in the snow," URL http://deadthinking.blogspot.com/2017/11/102478-floundering-in-snow.html

! seealso: Corry, "October 26, 1978 Paramount Theater, Portland, OR: Jerry Garcia Band/Bob Weir Band," URL http://lostlivedead.blogspot.com/2011/02/october-26-1978-paramount-theater.html. Corry suggests that Garcia found himself increasingly socially isolated in this period, couldn't go out to see other bands gig, and so was scouting talent from bands that opened for the GD or the JGB, noting "Garcia's primary keyboard players from 1979 to 1990 were all in bands that opened for him in 1978".

! historical: Bob Weir Band opened. Western flight #215 from SFO, landing PDX 5:09 PM: R. Taylor, Garcia, Kahn, 2x Godchaux, Muldaur, Buchanan, Healy, Loren, and GUITAR all ticketed. GUITAR doesn't get its own ticket on other flights of the tour until the end.

! R: field recordist: Mark Severson

! R: field recording gear: 2x Sony ECM 270 mics > Sony TC-158

! R: Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

! R: Notes: - Thanks to Mark Severson for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Pat Lee and Matt Smith for the Sony 18n source which supplies the first 5:05 of "Love In The Afternoon" - Thanks to Joe B. Jones for verifying the pitch. Mastered by Scott Clugston December 2019.

! P: s1t02 HTC @ 4:25 KG plays a terrific first lead, while Kahn is rumble-shredding beneath him. This band was so good, and sounded so good, on this tour. Hard to believe they'd only play a couple more shows.

! P: s1t03 MITR @ 3:40 Garcia decides he wants to play loudly, and does so.

! P: s1t04 STOF I have been repeatedly struck by how great Garcia's guitar work is. Late 6 here I especially note it again. Brimming over with stuff to say. No JK solo in this STOF.

! s1t07 (1) JG: "We're gonna take a break for a little while, we'll be back in a few minutes."

! R: s2t06 IBWT clips in

! P: s2t07 LAALWFH JG takes it out right over 6, and it comes back to the tune at 18:15. 12 pretty good, noodly minutes. And then they really stretch out the post-return piece - more than I ever recall in any other version. Donna moaning, Maria harmonizing nicely - lovely!

Kemper's Last: JGB at Hampton Coliseum, November 19, 1993

The great drummer David Kemper joined the JGB on Wednesday, July 20, 1983, at the Keystone Palo Alto, probably for a few hundred beer drinkers at a show with gross potential of something like $5 grand. He played his last gig with the band at the legendary Hampton Coliseum on November 19, 1993, before a sellout crowd of just about 14,000, a show of gross potential of $291,000 (net of taxes, so "net gross potential").

One of the big personnel mysteries of the Garciaverse is why Kemper was let go after over a decade of stalwart service, keeping one foot on the gas and one foot on the brakes for the highly variable Jerry Band. Talking to Barry Smolin a few years later, the drummer himself seemed unclear on this.

We did that tour in '93. It was financially our most successful tour. We played big venues and sold out a large portion of them. But the success didn't translate into the music. It wasn't any different musically from the ones before. But everything else felt different somehow. I felt that Jerry was starting to change in some way that I don't really understand to this day. Maybe he was tired of me.

[Smolin: How were you informed of your termination?] 

I got a call from [Big Steve] Parish in January of '94, saying, 'Well, here's that phone call you've been expecting for ten years. Where do you want us to send your drums?' I said, 'Well, Steve, why don't you send them here to my house. ' And he said, 'Don't you want them sent to your cartage company?' I said, 'No, have them sent here to the house. ' And he said, 'Oh, by the way, we have a new drummer already. ' I said, 'Oh, okay. ' And he said, 'Well, I don't know what else to say but good-bye.' I said, 'Well, Steve, you know, you always had a way with words.' And that was it. No explanation, nothing (Smolin 1997, 21).

When the JGB next materialized at the Warfield, on February 4-6, 1994, former Starship drummer Donny Baldwin was in the chair, where he'd remain until the end.

Deadheads gossip like suburban Karens. In this case, word on the street was that someone else in the band wanted more money, and Kemper was traded out for a cheaper model. Unless Big Steve dishes, it seems unlikely that we will ever know the reasons for the change. 

update: David K has finally dished, and Big Steve was the one who wanted more money. So the gossip was half right (I had heard it was Kahn).

What I feel pretty certain about is that having Big Steve do your dirty work, canning a guy who had played well over 300 gigs with the Jerry Garcia Band, speaks to Our Hero's well-worn instinct to avoid interpersonal conflict. At least have the courtesy to call the guy yourself, Jer! But that was not his way.

Anyway, I wanted to love this last show, also the Jerry Band's final show in the eastern time zone. And it was fine, the way the fall '93 shows generally are. The voice is a little frail. The guitar playing offers more pluck than power, though it has its charms. The 84 minute second set speaks to a guy still wanting to play. And, I gather from eyewitness testimony that anyone who was present for this 25+ minute "Shining Star", with extended band-audience singalong, remembers it fondly. I have no complaints at all. It feels just like any other show, and I wonder if it felt that way to David Kemper, too.

Jerry Garcia Band
Hampton Coliseum
1000 Coliseum Drive
Hampton, VA 23666
November 19, 1993 (Friday)
Schoeps Miller shnid-77281 rename to sets

--set I (6 tracks, 54:26)--
s1t01. [0:06] How Sweet It Is (To Be Loved By You) [7:27] [0:57]
s1t02. Stop That Train [10:18] [1:18]
s1t03. Money Honey [7:54] [0:16]
s1t04. Lay Down Sally [11:16] [0:04]
s1t05. My Sisters And Brothers [3:51] ->
s1t06. Everybody Needs Somebody To Love [10:57] (1) [0:07]

--set II (6 tracks, 84:04)--
s2t01. Shining Star [25:10] [0:08] %
s2t02. [0:25] Struggling Man [10:42] [0:04]
s2t03. The Maker [12:30] [0:08]
s2t04. Don't Let Go [17:47] ->
s2t05. That Lucky Old Sun (Just Rolls Around Heaven All Day) [10:05] ->
s2t06. Midnight Moonlight [6:59] (2) [0:06]

! ACT1: Jerry Garcia Band #21b
! lineup: Jerry Garcia - el-g, vocals;
! lineup: John Kahn - el-b;
! lineup: Melvin Seals - keyboards;
! lineup: David Kemper - drums;
! lineup: Gloria Jones - vocals;
! lineup: Jacklyn LaBranch - vocals.

JGMF:

! R: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [m:ss] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [m:ss] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19931119-01

! db:

! map: https://goo.gl/maps/xGt3Bg1Hekzt9Quj8

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/01/hampton-coliseum-1000-coliseum-drive.html

! band: THE Jerry Garcia Band, JGB #21b (http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html)

! historical: final show for David Kemper. Final east coast Garcia gig.

! data: Contract dated 10/20/93 (unsigned by JGB): $75k guarantee vs 80% of net box office receipts after taxes and employer's reasonable and actual direct concert expenses as approved by artist whichever is greater, plus $21,250 estimated for artist-supplied production. Capacity 13,800, net gross potential (NGP) after 5% tax of $291,428.57.

! R: field recordist: unidentified

! R: field recording gear: Schoeps MK4 -> Dat (48k)

! R: field recording location: FOB

! R: Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Discs FLAC). All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net September 2, 2006

! R: Notes: -- Fixed drop-out in How sweet It Is -- The audience sings backup vocals during last half of Shining Star -- Thanks to Ryan Shriver for the Dats -- This has the fixed Shining Star

! P: s1t01 HSII Jerry's guitar playing sounds wonderful. His voice sounds thin, but not uncharacteristically for the period.

! P: s1t02 STT Melvin does some lovely piano work late 6. Jerry playing beautifully layered stuff.

! R: s1t01 HSII drop/gap at 0:29

! P: s1t03 MH has the extra arrangement on the ending

! s1t06 (1) JG: "Thanks a lot. We'll be back in a few minutes."

! P: s2t01 Shining Star big pitch-bending in 10. Jerry much softer vocalizing late 18. Now around 21 ladies and crowd singing, Jerry picking some in response. I know everyone who was there remembers the singalong fondly.

! R: s2t02 not sure why there's a tape discontinuity, and sounds like a short repeated section from end of s2t01 and start of s2t02.

! P: s2t04 DLG fragile voice. Mumbly lyric @ 2:57. Kind of a weird drop to the guitar/vocal comping, very low but also sooner than I expected. I like the doubling late 3 over 4. Nice and low and easy. He drops the vocals @ 4:30 to modal tone. Pretty nice dangerous, urgent feel to this DLG.

! s2t06 (2) JG: "Thanks a lot. See y'all later."

Reuben's Electric Return: JGB at Portland Civic Auditorium, January 14, 1984

LN jg1984-01-14.jgb.all.aud-faintych.32333.flac1644

"Reuben And Cherise" (s2t06): first electric performance since 1978! Jerry had brought a bunch of the Cats stuff back in '83. This was the last to re-appear. (Gomorrah: 5/21/83 [electric]; Rhapsody In Red: 5/26/83; Cats: 6/3/83).

Jerry sounds good throughout, as, especially, does Kemper.

These pre-coma 80s JGB Knockin's are so sweet and lilting.

Rhapsody In Red? Yes, please.

A F pulled a killer balcony tape this night. Nice and full.

JERRY GARCIA BAND
Civic Auditorium
222 SW Clay Street
Portland, OR 97201
January 14, 1984 (Saturday)
Faintych balcony MAC shnid-32333

--set I (6 tracks, 5 tunes, 48:05)--
s1t01. ambience (1) [0:35]
s1t02. I'll Take A Melody [13:31] [0:05] %
s1t03. [0:09] The Way You Do The Things You Do [8:45] [0:06] %
s1t04. /When I Paint My Masterpiece [#9:01] [0:09] %
s1t05. Run For The Roses [5:11] [0:11]
s1t06. Deal [10:13] (2) [0:09]

--set II + encore (6 tracks, 62:59)--
--set II (5 tracks, 56:00)--
s2t01. [0:05] Harder They Come [12:20] [0:06] %
s2t02. [0:08] Mission In The Rain [11:30] [0:07] %
s2t03. [0:09] Cats Under The Stars [9:00] [0:06] %
s2t04. Knockin' On Heaven's Door [11:18] [0:02] %
s2t05. Rhapsody In Red [10:57] (3) [0:10] %
--encore (1 track, 6:59)--
s2t06. [0:05] Reuben And Cherise [6:47] [0:06]

! ACT1: Jerry Garcia Band #21a
! lineup: Jerry Garcia - guitar, vocals;
! lineup: John Kahn - bass;
! lineup: Melvin Seals - keyboards;
! lineup: Jacklyn LaBranch - backing vocals;
! lineup: DeeDee Dickerson - backing vocals;
! lineup: David Kemper - drums.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [x:xx] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19840114-01

! db: https://etreedb.org/shn/16710 (AUD, shnf); https://etreedb.org/shn/28905 (Otto Rice MAC); https://etreedb.org/shn/32333 (this fileset); https://etreedb.org/shn/101128 (sbd); https://etreedb.org/shn/151289 (Severson 1648); https://etreedb.org/shn/151327 (Severson 2496).

! map: https://goo.gl/maps/cwYVm4iqi6R2

! JGBP: https://jerrygarciasbrokendownpalaces.blogspot.com/2011/09/civic-auditorium-222-southwest-clay-st.html

! R: field recordist: Andrew Faintych

! R: field recording gear: Sony ECM-99A stereo mic > Marantz PMD-340

! R: field recording media: 2x Maxell XL-II 90

! R: field recording location: Center Box 9, mic on the balcony rail just left of center

! R: transfer: MAC > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, Flac compression, checksums) > bt.etree Jan 2006.

! R: taper/seeder notes: There was a tape flip at 9:39 near the end of Deal. This was patched using nine seconds from shn-id source 16710. I also used seven seconds from that source to cover the beginning of Harder They Come, which was missing. Masterpiece and Run for the Roses have clipped beginnings; these were also clipped on 16710, so no new material could be added. Also, Rhapsody in Red is missing the opening notes due to a tape flip after Heaven's Door. I used Soundforge to match levels and pitch on the patched-in bits. On the master, I used Soundforge to make fades, edit out blurry pause-button moments, and to even-out the levels where needed. This venue has since been renamed the Keller Auditorium, and has a seating capacity of 2992. This was the only GD related event held at this venue. Taped and transferred by Andrew F. ENJOY!

! P: overall: super high energy performance throughout. Jerry sounds rarin' to go! Kemper is a beast, and even Kahn sounds strong this night. It could all be this cool balcony tape, but that's how it feels.

! s1t01 (1) taper's neighbor: "Is this a microphone? Are you makin' a tape?"

! R: s1t04 WIPMM clips in

! P: s1t04 WIPMM Jerry sounds engaged

! P: s1t06 Deal Kemper banging, Jerry wailing, John hitting some big notes 7:30-8.

! s1t06 (2) JG: "We're gonna take a break for a few minutes. We'll be back [inaudible]"

! P: s2t01 Kemper does a thing at 9:15 that just slays me

! P: s2t03 CUTS good. I really like the guitar work 6ish.

! P: s2t04 KOHD early 80s versions of this tune were just picture-perfect. Melvin makes them great, loping and lilting. On this version, Kahn also sounds outstanding. The tape really gets him pretty well. Some vocal roughness, but he never totally loses it.

! P: s2t05 RIR great energy. Just because: https://whitegum.com/~acsa/songfile/RHAPSODY.HTM. Hugely layered guitar work in 6, big rock and roll. Huge fanning passages 9:30.

! s2t05 (3) JG: "Thanks a lot. See ya later."

! song: "Reuben And Cherise" (s2t06): first electric performance since 1978! Jerry had brought a bunch of the Cats stuff back in '83. This was the last to re-appear. (Gomorrah: 5/21/83; Rhapsody In Red: 5/26/83; Cats: 6/3/83).

! R: s2t06 for some reason a little more muffled for this tune.

The "Little Cash Cow," Fall 1991 Edition

 

Table xxx. JGB Gig Income, Fall 1991 Tour

Table xxx. JGB Gig Gross and Income, Fall 1991 Tour

Venues not attached to specifics

So I have been trying to cull information from the Big Steve show, which is just amazingly rich with all kinds of wonderful little anecdotes and tales. They don't always line up with the historical record precisely, but the man has an amazing memory and it's all right even when it's not strictly correct.

A few venues have popped up that he discusses for which we have no known specific dates, all mentioned in the context of Garcia On The Side (GOTS). I would love to hear if anyone has memories of Jerry playing these places, or any additional information. Will probably post more as I come across them. update: I have started adding venues thought to have been played, reportedly played, not form the Big Steve Show, but from everywhere.

Belly Up Tavern, Solana Beach, CA: experienced and reliable SoCal Deadhead "Paula S. Morgan" said on twitter that she recalls seeing Jerry Band play here in ca. spring 1980.

Frenchy's, Hayward. Big Steve came into the scene in the late 60s, so he is not referring to Warlocks playing there. He seems to discuss it in context of GOTS. But we have no GOTS dates for this venue at Jerrybase.

Paul's Saloon, San Francisco. Grisman had said that Old And In The Way played here (Forte 1979a, 34). It was the center of the Bay Area bluegarss universe for a minute, when bluegrass had its first really huge moment right at the time OAITW was happening. I think a weekly bluegrass show was broadcast from here, as well. But no specifics have ever emerged. Update: in a 2010 correspondence which I just rediscovered, David said "I think Jerry & I dropped in there one night and played a few tunes (in the early days when the back of the stage was in the front window) but the band never had a gig there"

Sand Dollar, Stinson Beach, mentioned in the same breath as the Red Whale (later, The Brigg) and in the context of Old And In The Way and the Stinson period.

Scoreboard, San Rafael: Just seen on FB: "Jerry and Merle would play at the Scoreboard [bar/club] when the Dead were not on the road. The Dead office was two blocks away in downtown San Rafael. This was mid to late 70's." My money is on January 3-4, 1975. More on that eventually.

Stepping Stone, Willits, CA. JGBP has hipped me to a youtube comment indicating that Great American String Band played its first gig at the Stepping Stone in Willits, CA. An online piece says that JGMS played there ca. early '74, and an attendee recalls such a thing.

"Whitey's Place", San Rafael: JGMS "play at some little clubs around Marin, but mainly at Whitey's place in San Rafael" (Scully 1996, 201). This is Whitey Litchfield. Not clear if he is referring to Pepperland, or whether there was a bar attached to the uber-seedy Bermuda Palms (home of a large number of events figuring on the local police report over the years - lots of prostitution, robberies, stabbings, drug deals, etc.).

Woody's Tavern, San Francisco. Harry Angus has sniffed around this one for me, and has found Woody's Tavern, 41 Powell Street, Owner Joe Francisco, listed in the Polk's Directory 1969-1973, then gone.

xxx Rehearsal space next to Red Tillman's automotive shop, Jacoby Street (now a different street name), San Rafael, ca. September 1971 when Keith was being rehearsed.

Best Visions

 I know you all know this, but oh my God.