Sunday, May 24, 2020

They Really Are a Scree-um: Legion of Mary at Keystone, Thursday, May 22, 1975

LN jg1975-05-22.lom.all.aud-menke-falanga-motb-0044.87156.flac2496

I just revisited 5/21/75, and it left me a little bit ... whelmed.

By contrast, at some point between downloading the files in 2011 and today, I listened to and noted the next night, and I *loved* it.

The Bob Menke - Louis Falanga aud belongs in the freaking Smithsonian. This stands as one of the finest audience recordings in the Garcia canon, and there are a lot. Gorgeous. The vocals are very low, so it is "flawed" from the perspective of releasability. But the instrumentation is finely captured, Jerry's guitar far forward and everything else nicely balanced. Reportedly, on this night they actually placed the mics on stage near Jerry's feet, with one pointed into Jerry's stage monitor and the other pointed to the rest of the band, Bob and Louis on the rail at center stage. If you want to hear Jerry Garcia's guitar playing ca. May 22, 1975, check this out.

Song highlights for me were "Little Sunflower" and, especially, "He Ain't Give You None". Garcia once described having this fantasy of being a Mission Street blues guy. It's not clear how much such a creature ever really existed, but we know exactly what he looks like (and he looks different to each of us). We also know what he sounds like: listening to Garcia play HAGYN, I am put in mind of just a smoky little R&B bar. This is Keystone --certainly smoky, and funky in its own way-- but Jerry is just so drenched in this vibe, I'm almost surprised he's not seated and doing the B.B. King thing. "Boogie On Reggae Woman" is hot: the way Merl just jumps onto this, and everyone falls into line, is just wonderful. Merl is ready to boogie, ladies and gentlemen.

It looks like TPTB have released four tracks from this night from Betty's tapes, though none of the tunes that especially lit me up. The Garcia Vault seems to hold reels 1-3 and 5-7, and I now see that the Betty Board material in circulation is not really "snippets", as labeled, but is reel #4. So it seems likely that the whole show exists as Betty tape, if only the 6+1 pieces could be brought together.

Legion of Mary
Keystone
2119 University Avenue
Berkeley, CA 94704
May 22, 1975 (Thursday)
Menke-Falanga MAC MOTB 0044 flac 2496 shnid-87156

--set I (6 tracks, 69:32)--
s1t01. [0:04] Tore Up Over You [11:42] [0:29]
s1t02. Little Sunflower [16:23] [0:19] %
s1t03. tuning and crowd ]0:50] % [0:19]
s1t04. I Feel Like Dynamite [12:12] [0:16] % [0:05]
s1t05. [0:14] % [0:26] Every Word You Say [10:49][0:24]
s1t06. % [0:44] Mystery Train [14:02] (1) [0:13]

--set II (5 tracks, 72:55)--
s2t01. /He Ain't Give You None [12:27] [0:16] % [0:22]
s2t02. [0:11] Boogie On Reggae Woman [14:33] [0:17] % [0:02]
s2t03. % When I Die [11:50] [0:09] % [0:05]
s2t04. [0:48] Going, Going, Gone [18:52] [0:30] % [0:09]
s2t05. (I'm A) Road Runner [12:05] (2) [0:18]

! ACT1: Legion Of Mary:
! lineup: Jerry Garcia - guitar, vocals;
! lineup: Merl Saunders - keyboards, vocals;
! lineup: John Kahn - bass;
! lineup: Martin Fierro - saxophone, flute;
! lineup: Ron Tutt - drums.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19750522-01

! JGC: https://jerrygarcia.com/show/1975-05-22

! db: http://etreedb.org/shn/89046 ("Betty Cantor snippets"); http://etreedb.org/shn/87091 (this recording, flac1644); http://etreedb.org/shn/87156 (this fileset, flac2496).

! map: https://goo.gl/maps/LDc43

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/02/keystone-2119-university-avenue.html

! venue: URL http://lostlivedead.blogspot.com/2010/12/2119-university-avenue-berkeley-ca.html

! venue: URL http://lostlivedead.blogspot.com/2011/01/jerry-garcia-and-keystone-shows.html

! official: Legion of Mary, vol. 1  (Rhino, R2 74692, 2005) (d1t04-When I Die [mislabeled "Since I Lost My Baby"]; d1t05-Tore Up Over You) - URL http://www.deaddisc.com/disc/Jerry_Garcia_Collection_1_Legion_Of_Mary.htm

! official: Legion of Mary, Absolute Mary (t02-Every Word You Say) - URL http://www.deaddisc.com/disc/Absolute_Mary.htm

! official: Jerry Garcia - Garcia Plays Dylan Again (t03-Going, Going, Gone) - URL http://www. deaddisc.com/disc/Garcia_Plays_Dylan.htm

! listing: "Country Joe McDonald Back In Area," Independent-Journal [San Rafael, CA], May 16, 1975, p. 21

! mention: San Francisco Examiner, May 16, 1975, p. 39.

! R: MOTB Release: 0044 24bit/96Khz

! R: Release Date: 09/09/2007

! R: field recordists: Bob Menke and Louis Falanga

! R: field recording gear: Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC

! R: field recording media: Maxell UD90

! R: Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV

! R: Transfer: Bob Menke

! R: Mastering: Jamie Waddell

! R: This is one of the finest audience recordings in the Garcia canon, and there are a lot. Gorgeous. The vocals are very low, so it is "flawed" from the perspective of releasability. But the instrumentation is finely captured, Jerry's guitar far forward and everything else nicely balanced. Reportedly, on this night they actually placed the mics on stage near Jerry's feet, with one pointed into Jerry's stage monitor and the other pointed to the rest of the band, Bob and Louis seated at the front table right there on the rail at center stage. If you want to hear Jerry Garcia's guitar playing ca. May 22, 1975, check this out :).

! P: s1t02 Little Sunflower is simply wonderful.

! P: s1t03 Addams Family tuning by Jerry @ start.

! s1t06 (1) JG: "We're gonna take a break for a little while, we'll be back a little bit later on."

! R: s2t01 HAGYN clips in

! R: s2t01 HAGYN, listen to fingers on steel strings around 6 seconds in.

! P: s2t01 Garcia once described having this fantasy of being a Mission Street blues guy. It's not clear how much such a creature ever really existed, but we know exactly what he looks like (and he looks different to each of us). Anyway, listening to Garcia play HAGYN, I am put in mind of just a smoky little R&B bar. This is Keystone --certainly smoky, and funky in its own way-- but Jerry is just so drenched in this vibe, I'm almost surprised he's not seated and doing the B.B. King thing.

! P: s2t02 BORW: Man, the way Merl just jumps onto this, and everyone falls into line, is just wonderful. Merl is ready to boogie, ladies and gentlemen.

! song: "When I Die" (s2t03): This is an instrumental rendition of the title track from an album that Motherlode released in 1969 on the Kama Sutra label. Written by band members William "Smitty" Smith and Steve Kennedy, it was a hit single and spent some time in the Top 20.

! P: s2t03 WID is a novelty, but it doesn't really go anywhere special.

! P: s2t04 @ 0:32 JG strums GGG, the song could be tracked to start here. This song is where this recording (and its cousins similarly taped) is so precious. You can hear Garcia's guitar so clearly, and the vibe is just so resonant. The performance doesn't knock me out on this listen, but maybe I am just not in the patient, contemplative mood required to really get it. It's very, very good.

! s2t05 (2) JG: "So long."

! R: Special Note: These are recordings done by Bob Menke and Louis Falanga at the Berkeley Keystone, made in May and June of 1975, that MOTB will be turning out, the subsequent Grateful Dead and related recordings are dedicated to Bob Menke's mom, Connie, who is suffering from pancreatic cancer. As you listen to what are certainly the most unique - if possibly not some of the best - audience recordings of Jerry Garcia in his prime, please send out healing vibes and prayers to Connie any way you see fit. We are all pulling for her, so please keep her in your hearts and prayers. The MOTB Team.

2 comments:

  1. One detail: There was no "front table". The tables at the Keystone ran in a line along the right wall. Menke and Falanga stood on the rail at center stage.

    ReplyDelete

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