Old old old notes: JGB at the Leroy Theatre, Pawtucket, RI, March 11, 1978

LN jg1978-03-11.jgb.all.aud-friend.97682.flac1644

I listened to this years ago, was just doing some housecleaning and thought I'd post.

Bullets:

Really nice tape. Piano sounds especially great .Thank you, Tim Friend! I note that it runs faster than the set II soundboard tape. I also noted that AF's ITAM patch from shnid-14931 (Tom Dalti aud) sounds pitched differently. Not sure which, if any, of these might be on A=440.

Third gig in three nights (whole tour was 11 11 eastern time zone shows in 11 days, March 9-19), poor ol' Jer's voice is already shot. It's not that surprising - the Dead's "laryngitis shows," with all Weir lead vocals, were only two months past, and he wasn't smoking fewer cigarettes nor, by all accounts, doing less blow or inhaling less burnt aluminum foil. He sometimes uses his rough edges to good effect, as when he growls in "Harder They Come" (HTC) about getting his share of what's his. But, this massively percussive band --Keith very loud, Kahn still a monster-- really calls for lots of vocal power, and Jerry just can't deliver the goods.

We do find the big, bad, cokey-Wolfy guitar chords throughout, plenty of power and burning tone. We find plenty of evidence in support of the "compensation hypothesis" --partly induced from the aforementioned laryngitis GD shows-- whereby vocals (and other) challenges drive good and aggressive guitar playing. In "I'll Take A Melody" here, for example, the whole band finds itself tripping over vocal timing, and I hear Garcia rip off an angry, aggressive-embarassed flurry, like he had to peel off that nervous extra skin he grew while the band was out of sync. Similarly, Jerry scrambles back from the brink of a near-unraveling in "Mystery Train" (MT) by picking some special  notes.

I love the ladies' harmonizing --I don't always-- on "Catfish John" here, and Jerry sings along with them, and it really reminds you of the beauty, that Donna has especially noted, that could happen when these people who love each other blend their voices. I need to find the quote of Donna talking about that -- feel free to point me to it! Buzzy sounds great on "That's What Love Will Make You Do", and I hear Kahn "dropping big artillery" in HTC and "rumbling like a motherfucker" in MT. I regularly criticize The Mule's playing after 1980, but in the 1970s the man played world-class electric bass.

"Rhapsody In Red" is one of my favorite Garciaverse tunes, and when it's great it absolutely slays me with some of the loudest and shreddiest rock'n'roll guitar Garcia would ever play. This version does deliver some screaming crazed fanning and other shreddy goodness, and Jerry puts feeling into the question of where playing the blues has led him, but overall I find this version a little ponderous, more in well than in top-shelf territory. So it goes. Crazy that I don't even mention "Lonesome And A Long Way From Home". So it goes.

Oh yeah, for real good fun, check out Dave Davis's writeup of this show and the prior night's Bob Weir Band gig in Provy at Grateful Seconds, Italian exchange student Gianni Rosati's endearing review in Relix, and the best-in-class Garcia Band interview by Andy Gefen from earlier on March 11th, which brings some interesting conversation but, especially, some great laughs. And who can't use more of those?

Jerry Garcia Band
Leroy Theatre
66 Broad Street
Pawtucket, RI 02860
March 11, 1978 (Saturday) - 7 PM
Tim Friend 145 minute audience recording

--set I (8 tracks, 79:02)--
s1t01. crowd and tuning [0:35]
s1t02. How Sweet It Is (To Be Loved By You) [7:17] [1:05]
s1t03. Catfish John [9:55] [1:22]
s1t04. That's What Love Will Make You Do [10:11] [1:38]
s1t05. I'll Take A Melody [15:15] [1:00]
s1t06. Harder They Come [12:45] [1:11]
s1t07. Gomorrah [6:10] [0:34]
s1t08. % Mystery Train [9:45] (1) [0:21]

--set II (7 tracks, 66:26)--
s2t01. crowd and tuning [1:02]
s2t02. Love In The Afternoon [11:30] [0:28] % [0:11]
s2t03. Rhapsody In Red [8:16] [1:58]
s2t04. Knockin' On Heaven's Door [12:39] [0:22]
s2t05. Tore Up Over You [8:11] [1:05]
s2t06. I'll Be With Thee [4:46] ->
s2t07. Lonesome And A Long Way From Home [14:42] (2) [1:17]

! ACT1: Jerry Garcia Band #4a
! Lineup: Jerry Garcia - el-g, vocals;
! Lineup: John Kahn - el-bass;
! Lineup: Buzz Buchanan - drums;
! Lineup: Keith Godchaux - piano;
! Lineup: Donna Jean Godchaux - vocals;
! Lineup: Maria Muldaur - vocals.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [m:ss] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [m:ss] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19780311-05

! db: http://etreedb.org/shn/14931 (Tom Dalti aud); http://etreedb.org/shn/97682 (goodbear various auds); http://etreedb.org/shn/97682 (Tim Friend aud, this source); http://etreedb.org/shn/135199 (s2 sbd AJL). NB the board tap runs a fair bit slower than this aud. I don't know which might be correct.

! map: https://goo.gl/maps/BspT8D8hQXT2

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/05/leroy-theater-66-broad-street-pawtucket.html

! venue: http://cinematreasures.org/theaters/5639. "Pawtucket’s “Million Dollar Theater” opened May 1, 1923 to a packed house, with numerous celebrities in attendence. Designed by local architect John F. O'Malley, the theater featured a mirrored lobby, an electric chandelier with 4,700 bulbs, and the largest Wurlitzer organ in New England. ... After 55 continuous years as a movie and concert showplace, the Leroy was forced to close in 1978 due to fire code violations". So, the place closed within the year of Jerry playing there.

! band: JGB #4a (JGB #4 + Maria) (http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html)

! historical / Sue: Promoter: John Scher. Co-promoter: Gemini Concerts (Provy). Sound check 4:30 p.m. $4,000 flat guarantee on gross potential of $17,424. Sell out. Garcia and crew were interviewed by Andy Gefen earlier in the day at WBRU-FM in Provy. It is a classic - check it out!

! review: [positive] Rosati 1978. Rosati was an Italian exchange student at Providence College in Spring 1978. He notes "no opening act for the Mystery Cats, who played twice as much music as the Weir Band [the night before, in Provy] over a span of more than four hours, which included a one-hour break in the middle of the set."

! see also: GratefulSeconds, "A Weekend in Rhode Island with Bobby's Band and Jerry's Band, March 10-11, 1978"

! R: field recordist: Tim Friend

! R: field recording location: Fifth row orchestra, left center section

! R: field recording equipment: 1x AKG D200E (mono) > Sony TC-153SD (Maxell UD-XLII 90's, no Dolby).

! R: Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 by Andrew F. 02/2009.

! R: JGMF rename to sets (replace 'd' with 's' in filename), plus tagging in foobar2000.

! R: This tape is nice. The piano is especially well-mic'd, but the bass, drums and vocals are all very nice. I bet the acoustics in this place were very good. Thank you, Tim Friend! The taper did a tremendous job of capturing the between-song tunings. I have tried to note the flips where I heard them, but this is a great job of taping. Listening in ITAM, and I'll reiterate: thje piano is beautifully recorded. Wow! That said, from Mystery Train forward I find Garcia's vocals to be a little buried, and for reasons unclear to me things muddy up a little in my ears.

! P: At the start, I was loving this performance. I find a lot to like, but I guess I don't stand up and say WOW! anywhere. The vocals detract.

! P: s1t02 HSII Jerry's voice sounds really, really rough. Ouch.

! P: s1t03 CJ if you want to hear the Donna/Maria vocals working, listen to the opening chorus of Catfish John. Jerry's vocals are nice and careful here. JG is even trying to harmonize more with the ladies in the 2:15ish chorus. Nice! Like a freaking church hymn, I tell ya. JG just running around the fretboard beautifully in the late 6-minute mark, Keith steps up for some really pretty piano playing, light and airy, while Jerry traipses about the melody.

! P: s1t03 TWLWMYD you can really here what a hot drummer Buzz Buchanan is. He's really good. Keith hits a little rough patch in the late 6-minute mark, but he stays with it and drops some nice bob and weave. Late 7-minute mark and forward for awhile, Jerry Garcia is playing his rock and roll guitar, bending notes around 8:20, pretty big and powerful chords for him to be pulling at this stage of the proceedings, until 8:45, when they hit the '1' very convincingly, and Jerry is doing his coke yelling.

! R: s1t05 seeder note: The end of Melody was cut by a tape-flip. ShnID-14931 provided a patch from 14:51 > 15:01. The patch material was EQ'ed and mixed down to mono to more closely resemble Tim's recording. JGMF note: The patch has a noticeable pitch difference, but I appreciate Andrew F.'s work in putting it together.

! P: s1t05 ITAM Garcia's voice is so scratchy, mournful, weary. The song is a little bit of a mess. For example, around the 13 minute mark they spend a minute or two just trying to get back on the same page, and it had been a struggle getting there in the first place. Jerry and Donna's vocals are just not sync'd up. Then @ 14:30 Keith does a sharp key slide at the same time that Jerry was going to --and indeed does-- rip off an angry, aggressive-embarassed flurry. Like he had to peel off that nervous extra skin he grew around the syncing issues.

! P: s1t06 HTC ouchy ouchy ouchy that voice sounds like it hurts. But Jerry is giving it some blowback, growling about getting his share of what's his. Keith does some nice little piano soloing in the 6-minute mark, Garcia enters 6:43 with some round-and-round chords, Kahn drops some big artillery right around 7-min mark and forward. Mmm-mm-m. Again at 8:16 forward, John Kahn thumping the woofers, higher up around 9-minute mark, but pulling very nicely. They finish with enthusiasm, some extra vocalization from the ladies.

! P: s1t08 MT Kahn is rumbling like a motherfucker as they start. Something pops, they almost false start, but they pick up the pieces. As so often happens, we get some special notes on the scramble back from the brink. Unfortunately, Jerry's vocal mic seems to be having some problems, and worse still his voice is just not up to the challenge. It just sounds a little weak relative to all that percussion, including very upfront piano.

! s1t08 (1) JG: "Thank you. We're gonna take a break for a little while. We'll be back in a little bit."

! s2t03 RIR is played too ponderously. Garcia is peeling off some wicked pissah guitar licks late in the 2-minute mark, lots of edge, but the tempo just holds things back a little bit. Now, toward the 4-minute mark, the ladies assert themselves, and Jerry makes it clear that he sings the blues, and he wants to know where it has led. Some serious rock star fanning licks in the 5-minute mark, but then it kind of thuds into Keith, who seems to want to shut it down. Garcia does some screaming crazed fanning mid-6 mark forward. Listen @ 6:58. Overall, though, I don't find this version of RIR to be the equal of, say, the mid-1983 barn-burners.

! s2t04 KOHD has a nice bouncy tempo that would really serve it well in the Garcia Band.

! s2t07 (2) JG: "Thanks a lot. Bye bye."

Tasty Fucking Tape: JGB at Paramount Northwest Theatre, Seattle, October 28, 1978 (Severson MAC)

LN jg1978-10-28.jgb.early-late.aud-severson.148540.flac2496

These last few shows of the Keith and Donna JGB are generally strong. And the recordings often sound really nice, not least because the bass, and I'd say generally the whole band, was dialed-in in the rooms. I don't know who was doing room sound, but they did a great job.

Mark Severson pulled the "tasty fucking tape(s)" of the title. That guy never missed, it seems.

Not a lot of notes, but that's kind of been characteristic of what I have been posting lately.

I really like the Reuben and Cherise here. It's not quite flawless, but it's strong. LAALWFH clocks in under 14 minutes, last time played until 7/26/81. 

For those who say that Keith Godchaux was worthless and nodding off in 1978. SHOW ME. I have never seen or heard evidence of this. Of course, maybe he was more engaged in the JGB than in the toxic cesspool of that other band. But, again, don't just repeat the narrative. Show, don't tell. (LIA supplies a bunch of the relevant canonical quotes in comment at LLD.)

Oh yeah, BTW, I also just upped some additional notes to my already-existing 10/27/78 post.

Jerry Garcia Band
Paramount Northwest Theatre
901 Pine Street
Seattle, WA 98101
October 28, 1978 (Saturday)
Severson MAC flac2496 shnid-148540

--early show, main set + encore (8 tracks, 7 tunes, 71:57)--
--early show main set (7 tracks, 6 tunes, 65:41)--
e-t01. ambience [1:14]
e-t02. Harder They Come [11:09] (1) [0:21] % [0:34]
e-t03. Mission In The Rain [9:16] [0:20] % [0:06]
e-t04. They Love Each Other [7:22] [1:11]
e-t05. Knockin' On Heaven's Door [13:01] [0:08] % (2) [1:54]
e-t06. It Ain't No Use [7:56] [1:36]
e-t07. The Night They Drove Old Dixie Down [8:58] (3) [0:16] % [0:10] %
--early show encore (1 track, 6:16)--
e-t08. Reuben And Cherise [6:06] (4) [0:10] %

--late show (9 tracks, 8 tunes, 74:40)--
l-t01. ambience [1:03]
l-t02. How Sweet It Is (To Be Loved By You) [8:14] [2:39]
l-t03. Catfish John [9:40] [0:15] % [0:33]
l-t04. I Second That Emotion [9:19] [0:25] % [0:15]
l-t05. Love In The Afternoon [8:14]
l-t06. Mystery Train
l-t07. Gomorrah [6:18] [0:15]
l-t08. I'll Be With Thee [5:15] ->
l-t09. Lonesome And A Long Way From Home [13:32] [0:28]

! ACT1: Jerry Garcia Band #4
! lineup: Jerry Garcia - guitar, vocals;
! lineup: Donna Godchaux - vocals;
! lineup: Maria Muldaur - vocals;
! lineup: Keith Godchaux - piano;
! lineup: John Kahn - bass;
! lineup: Buzz Buchanan - drums.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [x:xx] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19781028-03 (early); https://jerrybase.com/events/19781028-04 (late)

! db: https://etreedb.org/shn/12679 (McCaw MAC, shnf); https://etreedb.org/shn/89135 (Severson master, via minches); https://etreedb.org/shn/148539 (this fileset, flac1644); https://etreedb.org/shn/148540 (this fileset).

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/11/paramount-northwest-paramount-theatre.html

! band: http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html

! Sue: For the two shows, $5k guarantee plus percentages on high gross and cost savings, on gross potential of $47,616-$53,568. Monarch got $3,000 for production, looks like co-pro was the John Bauer Concert Company.

! review: [negative] MacDonald 1978: "typically, the shows went on interminably. The first, which began at 7 pm, didn't end until almost 11 p.m. The second show, which was supposed to have started at 10:30 p.m., didn't get under way until past midnight. It was still going strong when I left about 3 a.m." Further, "I felt the second show audience, which was made to wait outside in the cold for hours and got a tired show, were ripped off."

! R: field recordist: Mark Severson

! R: field recording gear: 2x Sony ECM 270 mics > Sony TC-158

! R: Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

! R: seeder Notes: Thanks to Mark Severson for the master cassette recording. Thanks to Charlie Miller for the transfer and coordinating this effort. Thanks to Joe B. Jones for verifying the pitch. Mastered by Scott Clugston, December 2019.

! R: tasty fucking tape

! P: t02 HTC Garcia's first guitar turn is just so damn lyrical and melodic! Keith's first turn also nice.

! e-t02 (1) JG: "Thank you."

! P: e-t05 KOHD is beautiful! The notes Garcia plays in late 5 just slay me. Keith steps up for a feature 6:20ff.

! e-t05 (2) a guy in the crowd yells out something about "one show tonight, instead of two", and gets a good cheer from the crowd.

! e-t07 (3) JG: "Thanks a lot. We'll see ya later."

! P: e-t08 RAC Buzzy just kills some splashes around 3:25 - sounds great! I love how compact this version is. Great energy!

! e-t08 (4) JG: "So long."

! P: l-t09 LAALWFH it is pretty out there, but it never really did anything that interesting.

Brief Encounters of the Weird Kind: JGB at Penn State, December 11, 1977

jg1977-12-11.jgb.all.sbd-sirmick.80773.flac1644

Again, listening notes may be briefer for awhile. Certainly, these are bullet-style.

David Gans once said something to the effect that Garcia exhibits the shortest distance between spirit and fingertip of any musician he knows. That's probably not quite right, but it was something like this. A reviewer from this last show of the Fall '77 JGB tour, Don Foster, sort of alludes to the same notion, in saying  "I'd swear if there was some way of putting a tracer into his vibrations you would see them travel through his body to his fingertips, out to his guitar, and then into the audience."

I also like Foster's take here: "The Mystery Cat banner in the background reminded me a lot of Donna Godchaux. She would leave the stage when she was not singing and like a cat reappear mysteriously for her next number." Very evocative. I'd say the show has a really sleek, unperturbed kind of feline energy to it. Smooth, pretty graceful.

Nice tape. Thank you for the work on it, sirmick. I didn't compare with other versions - all circulating sources are sbds, presumably from the same root tape. John sounds full and fat, as he would through 1978.

This is a rare Jerry-before-GD performance space.

Peppy "Sitting In Limbo". I like it. And "I Second That Emotion" finds some nice room that I also dug.

Turns out the "Close Encounters" theme in "Lonesome And A Long Way From Home," one of a few on the tour, and which I have mentioned before, is extremely brief. But there is more than one encounter here, as after "Love In The Afternoon" we hear some stage talk about aliens, and then, before "Russian Lullaby," Jerry and John noodle on the famous five-note theme for a good 30 seconds. And, because we focus on Garcia On The Side (GOTS) here, we are contractually obligated to note that this occurs before the Grateful Dead would grapple more fully and wildly with the theme on 1/22/78 in Eugene. Just sayin'.

Band got $12,500 + $2,500 sound and lights for the gig, which only grossed something like 16 grand. Gotta love those student activities budgets! Proft, schmofit, so long as the kids have a good time.

Jerry Garcia Band
Recreation Hall, Penn State University
Curtin Rd.
University Park, PA 16802
December 11, 1977 (Sunday)
sbd sirmick remaster shnid-80773

--set I (5 tracks, 54:22)--
s1t01. How Sweet It Is (To Be Loved By You) [9:22] [0:06] % [0:03]
s1t02. Catfish John [10:04] % [0:07]
s1t03. Simple Twist Of Fate [12:33] %
s1t04. Sitting In Limbo [10:24] [0:07] %
s1t05. Mystery Train [11:31] (1) [0:04]

--set II + encore (8 tracks, 97:56)--
--set II (7 tracks, 79:31)--
s2t01. [0:03] Love In The Afternoon (2) [11:51] % [0:05]
s2t02. I Second That Emotion [14:12] % [0:06]
s2t03. Gomorrah [7:07] % [0:06]
s2t04. Harder They Come [11:32] [0:18] %
s2t05. (3) [0:54] Russian Lullaby [14:29] % [0:04]
s2t06. Tore Up Over You [9:12] [0:09] % [0:03]
s2t07. Mission In The Rain [9:12] % [0:08]
--encore (1 track, 18:25)--
s2t08. Lonesome And A Long Way From Home [18:21] (4) [0:04]

! ACT1: JGB #4
! lineup: Jerry Garcia - el-g, vocals;
! lineup: John Kahn - el-b;
! lineup: Keith Godchaux - piano;
! lineup: Buzz Buchanan - drums;
! lineup: Donna Jean Godchaux - vocals.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [m:ss] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [m:ss] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19771211-01

! db: https://etreedb.org/shn/80773 (this fileset), plus lots of other filesets presumably derived from the same root tape.

! band: http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html. No Maria Muldaur.

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/07/recreation-hall-curtin-road-university.html. This is a rare Jerry-before-GD hall.

! historical: From Foster review I infer 3,200 attended and 8,600 capacity. But contract makes it clear that capacity is 5,000. Band got $12,500 guarantee, plus 70% over $21,500 (not triggered) plus $2,500 for sound and lights, on gross potential of $25k.

! ad: Daily Collegian, December 1, 1977, p. 17

! exante: "Jerry Garcia Band to perform," Daily Collegian (Penn State University), December 9, 1977, p. 3;

! exante: Clifford 1977;

! review: [positive] Foster 1977: "I'd swear if there was some way of putting a tracer into his vibrations you would see them travel through his body to his fingertips, out to his guitar, and then into the audience."

! expost: Wilson 1977

! seealso: JGMF, "JGB: November-December 1977 East Coast Tour Rarities"

! R: source: source: sdb > master reel > cassette > pcm > dat > cdr

! R: Seeder comments: - this is a remaster of shnid-6622 - Hiss reduction was attempted on this source once before but the results were not very successful.  I think that this is far more pleasing to the ear - remastered using iZotope Ozone and 4Front Sandbrush - hiss reduction with Waves X-Noise - SIRMick December 2006

! R: Nice tape. I haven't listened to this show in many years, and I don't think I have ever heard this sirmick version. It is buttah. The bass tone is as good as the '78 boards. Man. Later on, some more hiss comes onboard, and sometimes it overloads, but it's nice to have!

! P: s1t01 HSII the band comes in feeling absolutely groovy right out of the gate. John sounds so amazing, so it's hard to parse the capture from the playing, but I do think the playing is just wonderful - fluid, inventive, big, playful.

! P: s1t02 CJ nice version, but tempos are a little variable.

! R: s1t03 STOF more hiss

! P: s1t04 SIL done sprightly, maybe peppiest version I have ever heard. In the 7-minute mark it takes a really spare feeling, not much Keith, or he's way back, anyway. Lovely stuff.

! R: s1t04 SIL splice at 7:09

! s1t05 (1) JG: "We're gonna take a break for a little while. We'll be back in a little bit. Thank you."

! s2t01 (2) at around 7 minute mark, someone says something like "check out the aliens [inaudible]".

! P: s2t02 ISTE I am not always a big fan of this tune. But Buzzy does some splashing late 7 that really catches my ear, and maybe Jerry's, because Jerry puts on a little spacier tone and the band gives him a little more room. Just wonderful. 

! s2t05 (3) Jerry and John noodle on the "Close Encounters Theme" for a good 30 seconds here.

! P: s2t05 Russ Lull JK feature 7:58-11:15. Despite the fatter tone, this feature feels more like later ones, very fluttery and not very impressive. Buzzy trying to add some rhythm in the back, but he's swimming upstream.

! R: s2t07 MITR splice at 1:17

! R: s2t08 LAALWFH splice at 6:09

! P: s2t08 LAALWFH Close Encounters 15:30, but it's really just a few riffs here.

! s2t08 (4) JG: "Thank you. See y'all later on."

JGB in Binghamton, November 20, 1977: first night DLG + LAALWFH = 1/2 (two weeks later DLG + LAALWFH)

LN jg1977-11-20.jgb.all.sbd.141495.flac1644

First night of the fall '77 Garcia Band tour (22 gigs in 22 nights), third live gig for young Buzzy Buchanan in the drummer's seat. The great Jerry Moore had some nasty thoughts about him, but I think he sounds fine here. Keeping time for this group could not have been a picnic.

I have covered the Fall '77 tour in a number of posts, and David Davis has done a couple, as well.

• JGMF,  "JGB: November-December 1977 East Coast Tour Rarities"
• JGMF, "Maria 'Shaking Her Substantial Booty' at Waterbury's 'Decrepit Palace Theater': JGB 11/23/77, Commander aud"
• JGMF, "His voice is fading fast: JGB at SUNY New Paltz, 11/29/77"
• JGMF, "Fall '77 Gig Economics: The Case of SUNY New Paltz (JGB, 11/29/77)"
• GratefulSeconds, "The Jerry Garcia Fans Strike Back: Buffalo, November 30, 1977"
• GratefulSeconds, "Another Great 1977 Show: Jerry Garcia Band, Boston December 2, 1977"
• JGMF, "A Monster Don't Let Go at Hartwick College, December 3, 1977"
• JGMF, "A Long Way From Spain: JGB at SUNY Stony Brook, December 9, 1977"

Musically, the true segue between "I'll Take A Melody" and "Don't Let Go" is quite interesting. Garcia Band didn't do such things all that often, and it just sounds like Jerry asserts the change and everyone else falls into line.

Also noted is the vast expansion of "Don't Let Go" and "Lonesome And A Long Way From Home". Here, they run14+ and 9+ minutes respectively. By later in the tour (12/3 and 12/9, respectively), they'd each clock in at a much chunkier 27 or so minutes. So Buzzy gets a few iterations to play it pretty straight, but by the end of the tour he's swimming in the deep end.

The recording is fine, with some hiss, swish, wow and flutter, especially from tape 1. AF did yeoman's work, as he always does, marrying it to tape 2 and sharing it out.

Maria is absent, for reasons unknown.

Public debut of LITA.

JERRY GARCIA BAND
West Gym (aka Men's Gym), SUNY Binghamton
1092 Bunn Hill Rd.
Vestal, NY 13850
November 20, 1977 (Sunday) - 7:30 PM
mono sbd composite shnid-141495

--set I (8 tracks, 71:25)--
s1t01. How Sweet It Is (To Be Loved By You) [9:01] [0:41]
s1t02. They Love Each Other [7:23] [0:06] %
s1t03. Let It Rock [8:38] [0:17] %
s1t04. [0:14] Simple Twist Of Fate [11:18] %
s1t05. /Stir It /Up [#9:15] [0:31] %
s1t06. That's What Love Will/ Make You Do [9:#06] [0:16]
s1t07. Gomorrah [6:39] [0:02] %
s1t08. Mystery Train [7:52] (1) [0:06]

--set II (7 tracks, 72:57)--
s2t01. [0:07] The Way You Do The Things You Do [8:51] [0:12] %
s2t02. ... Love In The Afternoon [#6:38] [1:07]
s2t03. [0:07] Midnight Moonlight [8:15] [0:25] %
s2t04. [0:39] Russian Lullaby [11:18] [0:07] %
s2t05. [[0:15] I'll //Take A Melody [9:#55] ->
s2t06. Don't Let Go [14:10] [1:12]
s2t07. Lonesome And A Long Way From Home [9:29] (2) [0:05]

! ACT1: JGB #4*
! lineup: Jerry Garcia - el-g, vocals;
! lineup: John Kahn - el-b;
! lineup: Keith Godchaux - piano, vocals;
! lineup: Buzz Buchanan - drums;
! lineup: Donna Jean Godchaux - vocals;
[! absent: Maria Muldaur - vocals]

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [x:xx] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19771120-01

! db: https://etreedb.org/shn/132097 (s2 sbd flac1644); https://etreedb.org/shn/132098 (s2 sbd flac2496); https://etreedb.org/shn/141495 (this fileset).

! band: http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html. Maria Muldaur is absent, so this is #4*, a variant Corry doesn't list.

! map: https://goo.gl/maps/A3rerZrT2hR4xLkL9

! JGBP: https://jerrygarciasbrokendownpalaces.blogspot.com/2011/12/west-gym-harpur-college-suny-1092-bunn.html

! seealso: JGMF, "JGB: November-December 1977 East Coast Tour Rarities," URL http://jgmf.blogspot.com/2010/10/jgb-november-december-east-coast-tour.html.

! seealso: JGMF, "Maria 'Shaking Her Substantial Booty' at Waterbury's 'Decrepit Palace Theater': JGB 11/23/77, Commander aud," URL http://jgmf.blogspot.com/2014/02/ln-jg1977-11-23jgballaud-commander.html.

! seealso: JGMF, "His voice is fading fast: JGB at SUNY New Paltz, 11/29/77," URL http://jgmf.blogspot.com/2014/02/ln-jg1977-11-29jgballaud.html

! seealso: JGMF, "Fall '77 Gig Economics: The Case of SUNY New Paltz (JGB, 11/29/77)," URL https://jgmf.blogspot.com/2019/01/fall-77-gig-economics-case-of-suny-new.html.

! seealso GratefulSeconds, "The Jerry Garcia Fans Strike Back: Buffalo, November 30, 1977," URL http://www.gratefulseconds.com/2019/03/the-jerry-garcia-fans-strike-back.html.

! seealso: GratefulSeconds, "Another Great 1977 Show: Jerry Garcia Band, Boston December 2, 1977," URL http://www.gratefulseconds.com/2020/06/another-great-1977-show-jerry-garcia.html.

! seealso: JGMF, "A Monster Don't Let Go at Hartwick College, December 3, 1977," URL http://jgmf.blogspot.com/2011/01/listening-notes-jgb-saturday-december-3.html.

! seealso: JGMF, "A Long Way From Spain: JGB at SUNY Stony Brook, December 9, 1977," URL https://jgmf.blogspot.com/2019/08/a-long-way-from-spain-jgb-at-suny-stony.html.

! historical: first show of the fall 1977 Garcia Band tour, 22 shows in 22 days November 20 - December 11. Ronnie Tutt had left the live band that summer, and young Buzz Buchanan came on board, drumming through the end of the band's run in fall 1978. This is his third show, and he sounds just fine.

! P: overall, the show strikes me as solid but not remarkable. The true segue between ITAM and "Don't Let Go" is the most interesting part, musically, and is really kind of out of the blue. At 14 minutes, DLG is half as long as the monster they played at Hartwick College 13 days later (12/3/77). Size isn't everything, of course, but this version never achieves escape velocity. The following LAALWFH, on only its second spin after more than a year away (9/18/76, then 11/16/77 preceding this version) also has not found its legs - at 9 minutes, it was one-third the length of the 27+ minute iteration at Stony Brook on 12/9/77, which got waaaayyyy out. So this certainly sounds like a band breaking in a new guy on the first night of the tour.

! R: Source: Unknown SBD > ? > CDR, combined with ID-132097, see note below.

! R: Transfer: CDR > EAC > FLAC (2005) > TLH > WAV > Wavelab; and ID-132097 > WAV > Wavelab; both sources: CD-Wave > TLH > FLAC 1644 tagged. 03/2018

! R: Note: This show was previously listed in etree as having taken place at the Forum Theatre in Binghamton, now listed here with the correct venue. This file-set presents the entire concert together, with thanks to JGMF and Rob Berger for the sources!

! R: JGMF's CDR provides HSII thru TWYDTTYD ("tape 1"), with the balance of the show from ID-132097 ("tape 2"). These appear to derive from the same root (mono) SBD. Both sources were re-mixed a bit to better match each other. Tape-generational hiss remains, particularly in parts of "tape 1" where low-gain sections were raised. There's also some minor tape speed fluctuations & warble audible in the "tape 1" material (STOF & SIR).

! R: Pauses and cuts were left as-is, no cross-fades were added. SIU cuts in near the beginning. There's a fade-to-cut in SIU at 6:51 (from the source CDR) but it appears that no music is missing there. Another fade-to-cut in TWLWMYD at 7:15 with the end of Keith's solo missing. LITA cuts in with about a minute missing from the beginning. Cut in ITAM at 2:13 with about 45 seconds missing. (Small FLAC size is due to mono WAV data.)

! P: s1t01 HSII he flips the first two verses. I tend to appreciate this, becuase while there's an intial flub, he is tuned-in enough to make it better.

! R: s1t05 SIU clips in

! R: s1t06 TWLWMYD fades to splice @ 7:15

! s1t08 (1) JG: "We're gonna take a break for a little while, we'll see y'all later."

! R: s2t02 LITA fades in, swishy sound of a fresh tape side

! song: "Love In The Afternoon" (s2t02): understood public debut.

! P: s2t04 RussLull @ 6:47 John kicks off a little feature.

! R: s2t05 ITAM splice @ 2:13

! P: s2t05-06 ITAM -> DLG a true segue - totally unique

! P: s2t06 DLG nicely paced.

! P: s2t07 LAALWFH not very long, but good power

! s2t07 (2) JG: "Thanks a lot. See y'all later."

A Long Way From Spain: JGB at SUNY Stony Brook, December 9, 1977

LN jg1977-12-09.jgb.all.aud-matera-fix.137736.flac2488

Not much time to post much detail, so some bulleted observations.

1)  Keith is playing some classical-Spanish sounding thing at the end of s1t01. Then, @ 7:21 of "Lonesome And A Long Way From Home", I hear John hitting some Spanish stuff, too. Check it out because, while Jerry was Swedish-Irish on his mom's side, his father was, of course, full-blown, born-in-Spain Spanish and, well, that's just fun.

2) I love "Reuben And Cérise" (Hunter's spelling, with French-accent-snob-appeal-to-me), and this one has some great power chords, but they repeat the ending figure a large number of times. I didn't count, but it's too many.

3) This LAALWFH is just amazing. It clocks in at 27 minutes, but, more importantly, it's endlessly interesting. It really gets wide open, not just in a noodly-spacey sense, but always remains musical. I was impressed with what young Buzzy, the studio drummer who often, rather necessarily, played metronomically on this first tour, with new material, with a band lacking in temporal discipline, lays out in this open idiom. The whole band sounds great here.

4) Maria is absent. She was on and off this tour.

5) The previews I reference provide great color around Stony Brook Deadheadism, the purest and ur-ist form of the broader genus Deadheadus Eastcoasticus.

6) About 165 minutes of music on a tightly-edited tape. Second set clocks in at 95+ minutes. Good bang for the six bucks and fifty!

Oh, and I found a pic, uncredited. Happy to supply credit if the identity of the photog emerges.

Garcia at Stony Brook, 12/9/77. Photographer unknown to me at this time.

Jerry Garcia Band
Pritchard Gymnasium, State University of New York
1 Center Drive
Stony Brook, NY 11794
December 9, 1977 (Friday)
Matera MAC shnid-137736 fix shnid-137720

--set I (6 tracks, 68:47)--
s1t01. Harder They Come [12:03] [0:06] % [0:15]
s1t02. Catfish John [10:52] [0:10] % [0:08]
s1t03. That's What Love Will Make You Do [11:13] [0:03] % [0:08]
s1t04. They Love Each Other [7:11] [0:13] %
s1t05. Knockin' On Heaven's Door [14:22] [0:02] % [0:05]
s1t06. The Way You Do The Things You Do [11:50] (1) [0:05]

--set II (7 tracks, 95:43)--
s2t01. Midnight Moonlight [14:53] [0:07] % [0:06]
s2t02. Gomorrah [8:21] [0:04] % [0:02]
s2t03. Tore Up Over You [9:22] [0:04] %
s2t04. Simple Twist Of Fate [15:30] [0:07] %
s2t05. /Reuben And Cérise [8:58] [0:02] %% [1:08]
s2t06. The Night They Drove Old Dixie Down [9:17] [0:04] % [0:04]
s2t07. Lonesome And A Long Way From Home [27:26] [0:09]

! ACT1: JGB #4*
! lineup: Jerry Garcia - el-g, vocals;
! lineup: John Kahn - el-b;
! lineup: Keith Godchaux - piano;
! lineup: Buzz Buchanan - drums;
! lineup: Donna Jean Godchaux - vocals.
[! absent: Maria Muldaur - vocals]

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [mm:ss] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [mm:ss] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19771209-01

! db: https://etreedb.org/shn/4444 (s2 Nak 300s shnf); https://etreedb.org/shn/16859 (reshn of shnid-4444); https://etreedb.org/shn/77713 (pitch-correct shnid-4444, flac1644); https://etreedb.org/shn/137720 (Matera flac2488); https://etreedb.org/shn/137721 (Matera flac1644); https://etreedb.org/shn/137736 (Matera flac2488, this fileset); https://etreedb.org/shn/137737 (Matera flac1644 fix).

! band: http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html. I denote this configuration as JGB #4*, since Maria Muldaur is not present.

! map: https://goo.gl/maps/efyWYZ1ew4qmbr4v9

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/10/pritchard-gym-suny-100-nicholls-road.html

! exante: “Ticketron Gets Garcia Tickets Before Campus,” (SUNY Stony Brook) Statesman, October 28, 1977, p. 3, accessed online;

! exante: Grossman 1977;

! exante: Razler 1977;

! review: [positive] Alkon 1977, who liked the show. Misidentifies drummer as Tutt. That said, he didn't like the "irritating" 75 minute intermission.  "Outraged" by a five and a half hour concert (8-1:30) with three hours of music: "When Keith and Donna sat down on the piano bench for a smoke and fifteen minute chat I felt like I was invading their privacy! I realize that a group needs frequent breaks, but the Garcia Band abused the privilege, showed disrespect for their audience, and unprofessionalism."

! seealso: JGMF, "The mystery of the Jerry Garcia Band 11/28/77 ticket stubs," URL http://jgmf.blogspot.com/2010/02/mystery-of-jerry-garcia-band-112877.html. Wherein I go on at great length about a very small matter of tickets misprinted with the date of 11/28/77.

! pic: URL http://www.dead.net/fanphotos/jerry-stony-brook-1977

! historical: the previews provide great color around Stony Brook Deadheads wanting to camp out for tickets and such. Stony Brook is just about ground zero in the development of campus-based GD mania and the history of the East Coast Deadhead.

! R: field recordist: Phil Matera

! R: field recording gear: unknown mics > unknown cassette deck

! R: lineage: MAC > Reel (Maxell-UD135, 1/4trk @ 3-3/4) > Teac X2000R > Korg MR1000 DSD DFF@ 5.6MHz > AudioGate > 24/88.2 Wave > Wavelab6 > OzoneRx4a > Ozone6A; CD Wave > TLH > Flac24. Transfer by John Hance.

! R: This is a fix of shnid-137720. The last 2 tracks of the second set have changed.

! R: patches from shnid-77713: s2t01-Midnight Moonlight, s2t04-Simple Twist Of Fate and s2t07-Lonesome

! R: seeder note: "Thank you Phil & JJ! Salah Febuary 7, 2017"

! R: very nice recording

! P: overall: voice sounds a little fatigued.

! P: s1t01 KG is playing some Spanish-classical thing at the end of the track.

! P: s1t05 KOHD KD on electric piano

! s1t06 (1) JG: "We're gonna take a break for a little while. We'll be back a little later."

! R: s2t05 RAC cuts in

! P: s2t05 RAC is very good. Some huge chords. But it does on too long. Quite a bit too long.

! P: s2t07 LAALWFH. This LAALWFH gets *way* out there. @ 7:21 John is hitting a Spanish theme. I think this is pretty incredible, though hard to characterize. Just great open playing by every player.

Fall '77 Gig Economics: The Case of SUNY New Paltz (JGB, 11/29/77)

Handbill for JGB at SUNY New Paltz, 11/29/77. Scan via Mark Cohen. Note that Ron Tutt is erroneously listed among the personnel.

The economics of the Garcia Band's Fall '77 tour have remained a little out of view for me, since I have never been able to track down itineraries, contracts, box office reports and all that, which I have seen for a few other trips. But a great report in the SUNY New Paltz Oracle lays them bare for one gig (11/29/77), and provides a snapshot into Garcia's rock star lifestyle of the time.

I should note that I have discussed a setlist rarity from this show (the Beatles' "Here Comes the Sun" inside the Wailers' "Stir It Up"), set forth some listening notes under the title "his voice is fading fast", and have also presented these kinds of data for a gig two years earlier ("Accounting the JGB: October 8, 1975").

The SUNY New Paltz Concert Committee brought in name talent a couple times a year for the students, drawing from student activity fees and generally running these events at a loss. But the earnest-seeming crew in place in Fall 1977, which seems to have been operating under the probably-copyright-infringing-but-totally-1977 name of "Jedi Productions", didn't plan to lose as much as they did on the Garcia Band's Tuesday night gig. For Google interest, here are the names and positions of the folks involved in putting on the show.

Kirt Madsen ... Production Manager
Eric Early ... Production Manager
Bill Dacey ... Stage Manager
Rick Markle ... Electrician
Joni White ... Talent Coordinator
Shari Berkowitz ... Tickets
Esther Friedman ... Publicity
Karen Reilly ... Hospitality
Rob Insolia ... Treasurer
Stan Wisla ... Security
Brian Higgenson ... Staging Consultant
Erica Pauling ... Secretary
Richard Someck ... Concessions
Randi Sackheim ...Programs
Debbie Golub ... Programs
Steve Martin ...General Manager
Jack Babb ... Assistant to General Manager

I would love to hear from any of them, especially Karen Reilly, who is mentioned in the narrative below.

According to the report in the school paper (Ratner 1977), the gig lost about $8,000, which is more than planned, mostly due to ticket sales of only 1,300 against a projected 2,000. But other aspects of putting the concert on probably also taught our young impresarios some valuable lessons in show biz economics. Here are the expenses.

Table xxx. Expenses for JGB at SUNY New Paltz, 11/29/77. Source: Ratner 1977.

So here we have the band at a $10k guarantee, whereas it got $12,500 at Penn State (Clifford 1977). Monarch does well on sound and lighting. But let me get to the "hospitality" line item, which generates the following data and story, a little sidebar under the heading "Garcia Serves Up New Paltz, Brings His Own Chef":

     When the Jerry Garcia Band plays a school, it usually submits a list of refreshment requirements: Freshly ground coffee (either of Sumatra, Celebes, Jamaica High Mountain, Mocha-Java, or Columbian beans); Coffee must be made via the drip method, not electric percolator; Three (3) bottles of good French red wine and one and one-half (1 ½) cases of Heineken Light beer; Four (4) quarts of orange juice – no sugar; Four (4) of bottled spring water; Bacon, lettuce and tomato sandwiches and good cheeseburgers; a dinner meal for fifteen …
     When they came to New Paltz, they were willing to forego the refreshment requirements. Instead; they brought their own chef, affectionately named Cy Kocis, and asked the concert committee for $600.
   "I knew things were going to be wrong when they wanted $600 in cash Tuesday morning," explained Karen Reilly, the Concert Committee's Hospitality Chief. Karen managed to knock them down to $450.
     Cy Kocis arrived at 1:30 on Tuesday; installed a four-burner stove charcoal grill and large cooler in Elting Gymnasium 101, and went to work. Filet Mignon and halibut steaks were on the dinner menu. The cooler contained a sumptuous feast for the band and its crew. Karen was there to meet the entourage. In fact, she was there since 9:00, earlier than anyone, making sure everyone experienced New Paltz's hospitality. "But when Cy Kocis gave me 4 large butternut squashes and told me to start peeling and cutting, I told him I had to get towels, or something, for the stage crew." Everyone has their limits.

Why do I imagine this merits quoting at length? I love the standard contract rider information. I knew Jerry was a coffee junkie, but I didn't know he was a coffee snob (which I count as a point in a person's favor). Good French wine pleases me, too, though not sure who of the band would most enjoy it. I guess I have Keith as good for at least a dozen of those Heinekens, but what do I know? Burgers? Definitely Jerry.

Then comes "Cy Kocis". Interesting. $600 cash is also interesting, and suspicious minds sometimes wonder whether that kind of wad might not have bought more than filet, halibut and butternut squash. I also admire the cut of Karen Reilly's jib, haggling them down to $450 and taking a pass on the vegetable peeler. She sounds awesome.

Anyway, good color.