Showing posts with label Avery Fisher Hall. Show all posts
Showing posts with label Avery Fisher Hall. Show all posts

Saturday, November 22, 2014

San Diego Public Library, and Public Libraries

I am in love with libraries. Is there a word for this? Someone has asked a Yahoo, but I am not sure I see an answer that works for me. So, as a book-lover is a bibliophile, as a word-lover is a philologist, what is a library-lover?

Anyway, San Diego Public Library, http://www.sandiego.gov/public-library/, stands as a great municipal institution, befitting this jewel of an American city, really just the perfect climate, shimmering water, profound historical Spanish, Mexican and Anglo historical crossings. To me it feels most like Santa Barbara and San Francisco in its coastal-and-Spanish vibe (less like newer LA, while the warm-and-Spanish thing makes it feel a little like Santa Fe).

As a municipal institution worthy of the name must, SDPL serves the public. Taxes are not tyranny when it comes to things like libraries. Stupidity is dangerous and bad for everyone, and warding it off through public investment is no less useful than warding off the fucking cholera, or paying skilled and strong people to exercise organized violence. San Diego is built and sustained on public dollars to this day, not least through its permanent militarization from Cabrillo in 1542 to the freshly-forged (and several more leathered) Marines et al. flying out last night. Safest place on earth last night, San Diego International airport, assuming you love 'Merca and aren't looking to fight.

I love that it remains the San Diego Public Library. It keeps a municipal name, though of course I reckon that a lot of private money has come in. Two-edged sword, that. The private money that can come in through a naming is huge, as it has been since probably well before the Medicis patronized Florentine artists, scholars and public works. I recently came across some neat pieces around the Garciaverse venue Avery Fisher Hall, i.e., the home of the New York Philharmonic at Lincoln Center. Avery Fisher's family, after resisting, is being paid to allow for an unnaming (see . The namesake bought cheap in the 80s, like $25 million, and the refresh the NY Phil wants and needs runs to the hundreds of millions. There are lots of prospective someone and something elses that might be interested in that particular emblazoning. There's a shitload of money sloshing around Gotham in the New Gilded Age.

Like my beloved San Francisco Public Library, and like every great public library in the world but with the higher relative frequency you see in temperate climates, homeless folks populate the SDPL, especially during the winter months. Fine. It's a true public institution. Everyone has a right to go there and spend the day hanging out and reading. And who doesn't like to drift off to sleep in a comfy chair over a good book? S'all good to me, good to give a hand to an American who's down on his or her luck, as the Looney Tunes used to say.

Here's my call to some would-be Medici Deadhead in the San Diego area: pay for some more state-of-the-art microfilm/form scanners. San Francisco Public Library's are terrific, and almost certainly not cheap. Someone's gift paid for those badboys, and SDPL could use a few more. And endow a little fund that can pay for printing paper from the old-style film scanners, as well. That's still useful, and I'd bet it doesn't run more than few thou a year. A little endowed gift of $50k to start would probably pay for it, in perpetuity. And it'd make the world a better place.


I already discussed a probable rainout of the putative JGMS show at San Diego State on 11/18/73. Next I'll write up a new-to-me canceled Dead gig with an interesting splash of color (update - done).

REFERENCES
! ref: Pogrebin, Robin. 2002. Avery Fisher Hall Forever, Heirs Say. New York Times, May 13, URL http://www.nytimes.com/2002/05/13/arts/avery-fisher-hall-forever-heirs-say.html, consulted 11/28/2014. 
 ! ref: Pogrebin, Robin. 2014. Lincoln Center to Rename Avery Fisher Hall. New York Times, November 13, URL http://www.nytimes.com/2014/11/14/arts/music/lincoln-center-to-rename-avery-fisher-hall.html, consulted 11/28/2014.
! ref: Roberts, Sam. 2014. With Naming Rights, Perpetuity has a Cutoff. New York Times, November 28, 2014, p. A26.

Sunday, March 13, 2011

The end of the November 1974 Jerry Garcia - Merl Saunders (JGMS) east coast tour

There is so much to say about the November 1974 east coast tour undertaken by the Jerry Garcia / Merl Saunders group (the quintet of Garcia [el-g, vocals], Saunders [keyboards, vocals], John Kahn [el-bass], Martin Fierro [horns], and future Lawrence Welk drummer Paul Humphrey).

Garcia had done two national "tours" outside the Grateful Dead prior to this one.
  • First, in January 1972, he went out with Howard Wales behind the Douglas Record Hooteroll? on something like a 10-date tour. I think we have barely scratched the surface with that tour.
  • Second, in June 1973 Old And In The Way booked a midwest/east coast bluegrass festival tour which seems to have fallen apart after a scant 3-4 gigs. Again, we know next to nothing about this.
  • Third, we have this tour. (The gigs at the Bottom Line, New York, NY, July 1-3, 1974 were one-offs, more like "scouting trips" for the tour, in my eyes. One helluva party, it seems like, and another barely documented episode.)

It began at the Bottom Line on Tuesday, November 5, 1974, and ended, I will argue, on Sunday, November 17, 1974 at the Auditorium Theatre in Rochester, NY. By my count the group played 22 shows in 12 days. I am not going to narrate the whole tour, just the end.

TJS currently has the tour running through a Monday night (November 18, 1974) show in The Dome at C.W. Post College in Greenvale, NY. Ryan's note says "All tapes I've seen with this date are really 11/08/74." Indeed. There was a show on Friday, November 8, 1974 in The Dome at C.W. Post College. There are several different tapes and lots of eyewitness accounts (though I'd love to gather more!). It seems pretty open and shut to me that the "11/18/74" dating is just a transcription error from "11/8/74". Not sure the point even needs belaboring, but I guess I'll go ahead and summarize all of the reasons this date is probably bogus:
  • there is lots of evidence for 11/8, no evidence for 11/18 except mislabeled tape;
  • easy to make "11/8" become "11/18".
  • Why would they come back to the same venue ten days later?
  • Why would they do so on a Monday night?

So this is what I think of as a "mere mislabel". The chances that it happened are tiny. How should these data be kept, and for example how should they be displayed at TJS?


In sum, I conclude that the current listing for Garcia and Saunder at C.W. Post College on November 18, 1974 is based on a mislabel of tapes from November 8th.

If "11/18/74" wasn't the last show of the tour, what was? For the night before (Sunday, November 17, 1974), TJS lists Jerry Garcia and Merl Saunders at the Auditorium Theatre (*not* the Rochester War Memorial Auditorium) in Rochester, NY. It notes a 145 minute audience recording, which I do not believe I have heard. It also notes information from "Mark Wilkins", who presumably attended the show. There's a quite complete looking setlist as well. I would note, finally, that there is a listing in the (Canandaigua, NY) Daily Messenger, Thursday, November 14, 1974, section two, front page. So, lots of evidence that this show happened, and finishing on a Sunday makes a certain amount of sense.

So far I hope to have done the following:
  • established that "11/18/74" is a "phantom gig";
  • invite feedback on this is a type of phantom gig, and how TJS might represent such data;
  • established that 11/17/74 did occur and was the final show of the 12-day, 22-show marathon (or is it a sprint?) northeast tour.

One last point I'd like to make is that John Kahn seems to have finished up with Garcia and Saunders and picked right up with Maria Muldaur's road band. Nice scheduling!

  • The first Maria Muldaur gig from this tour that I have come across is, you guessed it, Monday, November 18, 1974 (Avery Fisher Hall in New York, NY). It was reviewed in Billboard (1). John Kahn is not mentioned.

  • The second one I came across was the same billing (Maria Muldaur, Livingston Taylor) at the Music Hall in Boston, MA on Friday, November 22, 1974. This was in an ad in the Boston Phoenix (November 12, 1974, p. 6, in the "Don Law Presents" space). 

Obviously I am not trying to narrate this Muldaur tour, though the Kahn story will eventually require all of that to be done. I am just noting the transition for John: finish with Jerry on the 17th, head back to the city for Maria on the 18th. Few more paying gigs (and maybe quite a few ... where were they until the 26th?), not too bad!

I suppose my point about this is that, in those days, Kahn was quite a busy musician. I don't think Garcia was carrying Kahn in 1974.


REFERENCE:
Stephen, Jim. Talent In Action: Maria Muldaur, Livingston Taylor, Avery Fisher Hall. Billboard, December 14, 1974, pp. 21, 31.