There has been a lot of confusion over the years about the Jerry Garcia and Merl Saunders shows played at the Ash Grove (8162 Melrose Avenue , Santa Monica , CA
I believe there were two shows on 5/29, two shows on 5/30, and none on 5/23. I’ll make the case in this post.
Evidence for 5/23: questionable
What evidence is there for a 5/23 dating? As far as I can tell, there is only the Jerry Site’s listing and a 69-minute audience recording with the following:
MAR (Taped by Night Crew, Sony ECM-22Ps > Sony 770) > 2R > playback on Akai GX-4000D > ART DI/O > Egosys Waverterminal 2496 > HHb 800 master CD > one or two CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by David Minches, CD > SHN by jjoops.
Single Disc (6 tracks, 69:12)
1. //It Takes a Lot to Laugh It Takes a Train to Cry [7:30 #] [1:07 ]
2. Expressway [11:33 ] [1:45 ]
3. Money Honey [6:21 ] [2:18 ]
4. Little Bit// of Righteousness [18:39 #] [1:52 ]
5. Like a Road [10:33 ] [0:15]
6. That's Alright Mama [6:53 ] [0:23]
Notes:
d1t01 Train to Cry cuts in, not much missing
d1t04 LBOR brief cut/splice @ 17:29
So, what about this tape? Harvey Kaslow (one of the “Night Crew” tapers, with Craig Todd, Rob Bertrando, and others) says that he did not tape this. In email correspondence, Rob Bertrando says “I would guess Bruce Harvey taped it, and I thought the date was 5/30/73 .”
I have found no other evidence for a 5/23 show except this tape, around the date of which there is lots of doubt. By contrast, there is strong evidence that there were two nights of two shows each, *and* that these took place on 5/29 and 5/30/73 . I’ll make that case now.
Evidence for 5/29 and 5/30
First, Hillburn (1973) makes this mention:
-->“on the way [at the Ash Grove]: Merl Saunders (with Jerry Garcia, May 29-30)”.
Second, Davis (1973), writing in the first week of June 1973, writes the following: "
-->Merle [sic] Saunders, Jerry Garcia, John Kahn and Bill Vitt flew down from
Third, most importantly, Merl Saunders, Jr. supplied me with a handbill for the gigs, show dates of 5/29 and 5/30. (Note, too, that George Tickner, later to play with Journey, is listed here.)
Perhaps not QED, but pretty darn close, IMO. I consider the case for 5/29 and 5/30 shows, with no show on 5/23, very near to closed.
There are two remaining issues to clear up, having to do with early/late shows and with the songs played.
Evidence for early and late shows
Bill Greenspan, who was actively seeing Garcia-related shows in the LA-Santa Barbara area around this time, has said that on 5/30 there were not two shows, but a single show with intermission. The evidence does not support this, suggesting instead that there were separately ticketed early and late shows on both nights.
First, McGuinn (1973) alludes to "two evenings of four completely sold-out performances". This implies separately ticketed early and late shows.
Second, Davis (1973) notes that a
-->fter playing a set, “the informal band without a name sat around waiting for one crowd to file out and another to get seated”.
In short, there is pretty strong evidence for early/late shows on two nights (four shows total).
Songs Played
Regarding the songs played, unless more tape turns up it's unlikely that we'll learn much more than what we know. Davis
-->
The only new information here, relative to what we know based on the tape, is that they played "After Midnight". We should probably enter this at the Jerry Site, along with the other tunes represented on the tape that are currently listed as the 5/23/73 late show. I am uncertain whether to change this to 5/29 or 5/30, though ...
Regarding track 4 of the circulating recording, Alan Bershaw had identified it as a jam on Blind Willie Johnson's "I Can't Keep From Crying Sometimes", which is how we knew it for some years. But I have verified that it is Merl's "Little Bit of Righteousness."
One other thought about setlist. It's either just dumb luck that the tape we have is of the show that these authors caught and wrote about, or Jerry and Merl were playing more or less the same set (or least sets with the same standards what would be recognizable to the reviewers). I don't have much to add.
REFERENCES
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