LN jg1985-08-04.jgb.all.aud-connor.11041.shn2flac
LN jg1985-08-05.jgb.all.aud-connor.11121.shn2flacLN jg1985-08-09.jgb.all.aud-connor.11131.shn2flac
LN jg1985-08-10.jgb.all.aud-connor.11145.shn2flac
Waaayyyy back when, in the early lossless era, when shn ruled the roost and files could best be had by FTP (though some grabbed binaries from usenet groups), Charlie Connor's August 1985 Jerry Band tapes were pretty special. They still are, in the sense that they sound nice (patched out of Corley's "Silly Hat" setup, after all), that there just weren't that many '85 JGB shows, that they give more insight into the Rock Bottom period for Our Hero and, nowadays especially, they make for some good coherent listening across the Days Between, including a relatively rare August 9th show. I wish the last night of this cluster of shows, 8/11/85, would show up - one suspects it was taped, but one finds no evidence of it.
Here's some 'base for your face, to see what I am referring to:
https://jerrybase.com/events/19850804-01
https://jerrybase.com/events/19850805-01
https://jerrybase.com/events/19850809-01
https://jerrybase.com/events/19850810-01
I have already written up the August 9, 1985 show, noting the characteristic brevity of these sets, both clocking in below the 45-minute Minelli Line. (I should call it the Judy Garland line, as Jerry did in discussing "Cabaret Economics", but this formulation alliterates it to the Mendoza Line in baseball, the "rock bottom," barely acceptable, .200 batting average named for very light hitting, ca. 1970s-1980s Pittsburgh Pirates shortstop Mario. Grant me a little license, please and thank you.)
I have just revisited all four shows and, yeah, they're all short. Now, true, these tapes are tightly edited, and tuning breaks could take up a good bit of time wherever Garcia was found. On the first night of this set of shows, 8/4/85, set II clocks in at 31:04. This is currently the second-shortest electric set I have found, after 9/16/84 I and just ahead of (i.e., below) 3/2/85 I and 3/22/84 I. (Note, though, that there's probably a minute or more missing from Cats, the addition of which would land this squarely in the normal range for a show from this era.) Of course, I doubt any electric set will ever underperform the acoustic 5/23/85 set I in Denver - at 25 minutes, one can only hope --really, really, hope-- that the tape is incomplete.
Here are the timings for the August '85 electric shows:
DATE s1 s2 TT
8/4/85 46:03 31:04 77:07
8/5/85 49:31 48:37 88:08
8/9/85 42:26 38:32 80:58
8/10/85 37:08 34:14 81:22
So much for quantity, how about quality? Overall, I guess I'd say totally characteristic. Some really good guitar work, some lyrical fumbles, vocals getting rougher by the minute.
Night one: Jerry sounds pretty punchy right out of the gate, overcomes some lyrical fumbles in show opening ITAM to rage pretty hard on Sugaree. Killer guitar tone, fantastic playing, much to the appreciation of the hometown Stone crowd, which mostly seemed to prefer boogeying to judging. Kemper is SIMPLY WONDERFUL on Cats, and then Jerry struggles lyrically a little bit in Gomorrah and a lot in Reuben And Cherise, the latter of which is nothing short of tragic, becaues it's my favorite Garcia Band tune, bar none. I do think I hear some Melvin synth in there, which is cool. Midnight Moonlight gallops hard into the barn.
Night two almost fills up a whole XLII90, the longest show of the set by almost 10%. Again, frisky out of the chute, though I don't note anything from the first set until the long Tangled Up: "Not a single thing wrong with the range of ideas he expresses, the fluency and power with which he expresses them, etc. Even some interesting extended stuff 12. Very good. Kemper marching 12:30 for Jerry to wail around." This feels spacious and killer. I suspect that ol' Jer wasn't drinking tea with honey and lemon during the setbreak, because he comes back scratchier in the throat than before. Audience member astutely calls for Don't Let Go, but he'd have to wait two and a half more years for it to reappear, after landing on the shelf at the end of '84. Not a lot to report, but Kemper is absolutely flying to keep up with Midnight Moonlight, and boy must his arms be tired. *rimshot*
August 9th. I have already written it up. I don't remember what I said three years ago. If you want to check how reliable my notes are, please feel free to compare them. Good energy upfront, rough vocals, brief.
Night four, 8/10/85 - thirty-six years ago to the day as I type this. Elmer Fudd has arrived to sing, more than over the previous week's shows, to my ears. Very last "Rhapsody In Red", which gives me a sad, because it was a rocker. It wouldn't have worked post-coma until maybe late 1990 and into 1991, IMO - before then he's just too clean to grunge it up, and after he's just not powerful enough. But it coulda been good in that window. This Reuben he remembers the words, more or less all of them I think, and I do love those words. But the voice is pretty weak at this point and maybe it's best that he just raced through Midnight Moonlight -- four consecutive shows as a show-ender and sought refuge back at Hepburn Heights.
Listening notes below the jump.
