Stray "played with Jerry Garcias" (name but no date)

Here are people who are said to have played with Jerry who remain un-pinned down in Jerrybase because we don't have enough data specificity. Add more in comments!

Randy Bachman: "he played his fingers raw with Jerry Garcia, Leslie West and Delaney Bramlett" on the Festival Express (

Byron Berline: OAITW, ca. summer 1973

Donny (or Danny?) Hanna: Orlando based rock guitarist and bassist, bands Power and New Days Ahead. "Hanna has played with Jerry Garcia of the Grateful Dead" (McAleenan 1972).

Bernard Purdie: JGMS Bottom Line 11/74

Ike Stubblefield: JGB 1970s

Ross Valory (phantom)

Grisman's Garcia obit in Bluegrass Unlimited

Does anyone have a copy of Bluegrass Unlimited from either August 1995 or, more likely, September 1995? One page has a Grisman obit for Garcia. I am not looking for the text, I am looking for scans, because I need the proper page number as well. Thanks!

Playing on the radio builds an audience, part the millionth: OAITW April 1973

I was just revisiting a little item in Todd Tolces's early 1970s column in the Berkeley Daily Gazette. From May 3, 1973:

Picking a very nicely at at banjo all weekend was Jerry Garcia with his new bluegrass group, Old and in Way.

The acoustic quintet played through two nights at the Keystone to a very crowded house each time. The word got out. Either that or everybody beard them on KSAN's 'live'' weekend where Old and in the Way did a smashing one-hour set from the Record Plant in Sausalito.

Also on hand that day and the Friday and Saturday nights at the Keystone was Richard Greene, Seatrain's former fiddler. Greene's presence makes two refugees from Seatrain. The other is Peter Rowan, their lead singer and guitarist.

Greene's presence may finally fill Garcia's desire to ''find a fiddle player and play the bluegrass festivals this summer." However because of the Greatful Dead's heavy work schedule he may not be able to. Let's wait and see.

So, a few things.

First, Tolces somehow got the idea that Greene was there to stay. But as far as I know he'd play the Pacific Northwest shows May 8 in Eugene and May 9 in Portland, and that would be all she wrote.

Second, Corry gets some nice capillary-level confirmation. He had said in re the 4/21/73 KSAN broadcast "Any doubts about Old And In The Way's strategy to popularize themselves like the Stanley Brothers are erased by this broadcast." And here we are the next weekend, packed house through buzz from the broadcast.

Third, I think my putative 4/28/73 Record Plant KSAN Broadcast *must* be a phantom, right? I think Richard Greene had himself at the Plant this date, and remembered doing a KSAN broadcast from there, and he and I conjured this event in the recollecting. Instead, I think RG was at the Plant doing some session work (I don't know for whom) on 4/28, and we both just mixed it with 4/21.

Can I get a collective ruling on that question?

Fourth, Tolces hearkens back to what Jerry had told him on March 13th, very early in the band's run, that he wanted a fiddle player.

Fifth, Tolces is also being communicated some doubts about how much time he'll really have for Old And In The Way. I can imagine three pathways to that. 1) It was just sort of "known". 2) GD sources (e.g., Cutler) planted that, as a shot across the bow to Jerry and his little buddies that they ate last. 3) Jerry planting it to start setting expectations among his bluegrass buddies. He wouldn't want to disappoint them, and he was averse to directly communicating anything even vaguely unpleasant. So maybe Tolces proved a useful conduit to soften the reality.

Sixth, whatever all that is, the whole thing nicely illustrates the burden of being Jerry Garcia (Gans).