Showing posts with label Lynn van Matre. Show all posts
Showing posts with label Lynn van Matre. Show all posts

Saturday, March 15, 2014

Fall 1971: Keith Speaks, records, FM broadcasts



van Matre, Lynn. 1972. The Grateful Dead Haven't Changed Much. Now Sound 1, 4 (January): 4, 14.
Very brief little piece, the text of which I reproduce in full, à la Dead Sources, below the fold.

Here, just a few bullets, I'll also file under "reading notes".
  • The interview material with Phil Lesh and Keith Godchaux is from 10/22/71, based on one of Keith's comments. 
  • Now Sound is new to me, a Chicago area music paper covering just about every genre, with blurbs and chart info. Lynn van Matre also wrote for the Chicago Tribune and reviewed a bunch of Dead and Garcia shows over the years.
  •  Phil expresses being sick of constantly touring, wishing to get more out of their records. 
  • Keith speaks!
Keith's background is strictly West Coast club work. About a year ago, he attended a Dead concert at Winterland. 'A very heavy flash,' Keith says. 'I'd never conceived of playing with them. I had my own trip, and couldn't see the two mixing. I met Jerry and talked to him and somehow things just worked out. So, last night was my second concert with them. Touring's great, but I've had a hard time keeping a sense of continuity.' (van Matre 1972, 14)
  • Records: Skullfuck has gone gold. They owe WB two more records. "They're eager to do one more studio album. They're also considering recording their upcoming European tour which begins in May." LIA's devastating "Brotherhood vs. Machine" post quotes Hunter, from an interview with Silberman which he helpfully links, calling the planned studio record Rambling Rose, as part of a " Workingman's Dead/American Beauty/Rambling Rose trilogy". I still don't understand why they didn't do that studio album! It would have been great, and instead, indeed, they chewed most of it up on the E72 release. I am sure they had their reasons. 
  • And, for Corry, note the use of FM broadcasts as a way to have their cake of playing out, sometimes in cool theaters like the Auditorium, selling tickets, but without creating hassles for towns and fans. Of course, selling records is expressly desired, too.