Showing posts with label Ken Babbs. Show all posts
Showing posts with label Ken Babbs. Show all posts

Wednesday, November 23, 2016

UCLA Acid Test (CXL)

! ad: Daily Bruin, March 16, 1966, p. 2.
Preface

Suggested audio accompaniment for this post: http://tinyurl.com/hthnmgb, especially 30 minutes in when Ken Babbs is just raving, and things are just WILD.

The UCLA Daily Bruin has been digitized, and is accessible via the Daily Bruin Print Archive at http://samhoff.github.io/archive/. The access is rather cumbersome, basically at the volume level, and this runs from spring to spring. I recommend 1) targeting a date and searching on it, 2) verifying the resulting date range, 3) clicking on "Back to Item Details" toward the top-left, 4) right-click-and-saving-file-as... (or whatever you Macs do), using either the PDF (quite large files) or, for a first sweep, text (much smaller). The text can be searched for your key terms. But I will say, just looking at the text, the OCR'ing appears highly imperfect. So you might need to try many different searching strategies to find anything. I had a pretty low yield rate on the things I was interested in.

Discovery

Since I didn't have a canceled UCLA Acid Test in my cxl spreadsheet field, it didn't exist for me, even though I guess your average w00k might know of it. So I got inordinately excited when I found stuff around it, until reality came around and burst my bubble.

Anyway, still fun.

Preview

I found the preview first, and it is just about the most distilled piece of Babbsiana you'll ever encounter.
Barring the apocalypse, GSA ASUCLA, will allow the Merry Pranksters of Intrepid Trips, Inc. to let loose their version of interpersonal nuclear fission. The Acid Test, from 8 p.m. to 1:30 a.m. March 19 in The Student Union Grand Ballroom. What is The Acid Test? Well, it is a sort of a happening, a very total happening. There is no audience, no group of performers; everyone comes and the thing happens. There is music — The Grateful Dead will play genuine rock-'n-roll for dancing. But anyone can play music — there will be mikes and amplifiers available — and any person or group is urged to bring their equipment. There will be movies, three or four at a time, of the Pranksters and others doing whatever they do. But anyone can bring their own films and/or equipment. There will be people in strange clothes; come as you will. There will be strange lights, strobes and color wheels; bring more if need be. There will be Neal Cassady of On The Road doing battle with the fabled Thunder Machine, Roy's Audioptics, the Electric Man, the Psychedelic Symphonette, assorted miracles and marvels, more noise and yet more music. Tickets ($1.50 for students) are on sale at the Kerckhoff Hall Ticket Office or can be purchased at the door.
! preview: “Acid Test to Happen Here,” Daily Bruin, March 11, 1966, p. 14

In my recent post on the 1/17/69 UCSB show I posted about the winky-winky LSD references. Three years earlier, before acid was illegalized, there is no winking, there is just straight-up "come drink some acid punch with us and trip your _____ off right here on campus", presumably decodeable by enough Initiates to make it a happening.

I love the thought of Cassady ("of On The Road") doing battle with Babbs's Thunder Machine, the soundimage of whatever Roy's Audioptics was capable of laying down, "mindless chaos" as Garcia says in the late 33 minute of the audio accompaniment - the whole scene, naturally enough. Is "the Electric Man" anyone special? I'll leave this mostly to the commentariate to have at. Links to existing work will be gratefully received.

Ad

The ad mentions Tiny Tim and Paul Butterfield, whom we were just discussing in a comment thread, coincidentally enough, and drops the canonical name for the liquid medium of choice. Uncle Sam is in the house. Good stuff.

Furthur

Universities document themselves religiously, full of their own senses of historical importance, and so I imagine that there might be materials in the University Archives about this. I didn't know of this cancellation, and even a closer scan of the Daily Bruin and probably the LA Free Press would reveal more. Perhaps Ross has already gone through it all and already knows everything I am saying! I thought it was fun.

Tuesday, May 31, 2016

Green Green Grass Of Home

This show (GD 5/31/69) is a maxed-out masterpiece. Mamma mia. Play it loud!
Random tape archaeology: this is shnid-76, very early in the shn game.

https://goo.gl/maps/T4udv2YuEAR2
44.0417292,-123.0763108

! Corry: "when the Dead headlined McArthur Court on May 31, 1969, it was one of the biggest rooms that they had headlined up until that time. The show appears to have been scheduled for the track stadium (Hayward Field) and moved indoors, but in any case it was a sign of the Dead's status in Oregon."

! ad: Oregon Daily Emerald, May 28, 1969, p. unk, via URL http://home.earthlink.net/~deadtraders/images/from_oregon/HAYWARD.JPG;

! Corry: Arnold, Corry. 2011. Grateful Dead Pac-10 Home Court Analysis. Lost Live Dead, February 15, URL http://lostlivedead.blogspot.com/2011/02/grateful-dead-pac-10-home-court.html, accessed 5/31/2016.


! song: Green Green Grass Of Home
Lyrics: Curly Putman
Music: Curly Putman
http://www.whitegum.com/~acsa/songfile/GREENGRS.HTM
http://www.deaddisc.com/songs/Green_Green_Grass_Of_Home.htm.  5/31/69 version struck me as a real Garcia masterpiece. He achieved that sound he was searching for quite nicely, thankyouverymuch (as Babbs might say). Weir sings it well - he had a great memory for these country tunes, and he "Bobby Ace" was stepping forward for the first time right in this period. He sounds great. Garcia's steel is getting "that sound" that you want from the steel, Ralph Mooney and Tom Brumley's sounds, for starters.

Monday, January 20, 2014

Grateful Dead at Olompali, ca. June 1969

I was just sniffing around Olompali a little bit. It's a powerful place. I need to write a lot about it.

Anyway, sniffing around, as I say, and I come across this image:


And it comes from this blog post: http://www.thedoctorweighsin.com/so-who-needs-state-and-national-parks-anyway/

I only infer June 1969 because that's how the picture is dated. The I go to GDAO, and indeed it looks to be a photo shoot for Aoxomoxoa. Here's the GDAO cite:

Hamilton, Sylvia Clarke, “Aoxomoxoa photo shoot at Rancho Olompali: Bob Weir, Ken Babbs (?), Bill Kreutzmann, Phil Lesh, Jerry Garcia, Tom Constanten, Mickey Hart, Ron "Pigpen" McKernan, with photographer Tom Weir in the foreground,” Grateful Dead Archive Online, accessed January 20, 2014, http://www.gdao.org/items/show/831005.

The picture is not available online at GDAO, it says on-site access only. Happy to have found it!

Who is the mystery man back there? GDAO has question marks for Ken Babbs.

If you love Olompali, and you should, check out that nice little blog post, which reminds us to think and act in preserving spaces like Olompali. What follow are some pix I took there July 6, 2011.














While I am in this space, let me drop a few more breadcrumbs: