LN jg1975-05-09.aunt-monk.84mins.aud-castelli-motb-0144.107829.flac1644
For a couple of years, the good people at Mouth of the Beast (MOTB) were
dropping some ridiculously great and important listening material on the
masses. Most important, from the perspective of Garcia on the Side (GOTS) were
the Robert Castelli tapes, a handful of recordings made by the gentleman of
that name who seemed to find his way into, and record, especially rare and
special shows. The most important of these, for me, were a couple of recordings
from The Generosity, traveling with dates of
February 14, 1975 and May 9, 1975.
The
Generosity
My notes tell me that The Generosity was located at
1981
Union St, San Francisco, CA 94123 (
street view). I frankly do not know much about it beyond
that. It is not discussed in Selvin's
San Francisco: The Musical History
Tour (San Francisco: Chronicle Books, 1996). I don't recall ever having
seen ads or calendar listings for it, nor posters nor anything else, quite
frankly, except these tapes. Maybe we can get the maestro behind
Jerry's
Brokendown Palaces to dig up more information!
Aunt
Monk
Though the tapes travel with the band name Legion of Mary, I believe it was
probably actually Aunt Monk. This is almost certainly true of the Generosity
gig dated
2/14/75, since that predates what I reckon to have been the
first local usage of the Legion of Mary moniker on March 1-2, 1975. When
that tape first emerged, Merl Jr. indicated that Aunt Monk (i.e., Merl Sr.) had
a standing gig at the Generosity around that time. The 2/14/75 and 5/9/75 tapes
are most definitely of a piece – all instrumental, less oriented toward songs
(especially Jerry-centric ones) and more oriented toward long workouts of funk,
soul and R&B numbers than even LOM would typically be. As I note below,
there are some bass slides that sound utterly unlike John Kahn to my
ears, and I have to think that’s Aunt Monk bassist Tony Saunders funking things
up.
I have discussed Aunt Monk a few different times. To reiterate, the written
record ("Rap-Up's Wrap Up,"
Oakland
Tribune, August 25, 1974, p. 2-RAP) suggests that this band name emerged
around August 1974, as I discussed in a post about the
Garcia/Saunders/Fierro
material that circulates dated “July 21, 1974” and “July 22, 1974” from the
Keystone in Berkeley. The first billings I presently show are from the
Tuckett Inn in September 1974, continuing well (if sporadically) into 1977. As indicated in the
Trib and my post, it seems that the band (name) replaced The
Merl
Saunders Band, which had been featured at least in ca. summer 1974 at the Sand
Dunes down in the Sunset District, and with which Jerry apparently played
with some regularity. I have also recently discovered a
June
1, 1975 Aunt Monk w/ Jerry Garcia gig at the Inn of the Beginning in Cotati,
which nicely brackets the May 9
th date I am contemplating.
GOTS
Context
In a
recent interview on the
Jake Feinberg Show (promoting his
new album, "
Romancing
the Bass"), Tony Saunders has discussed this time period a little bit.
The relevant bit starts around 34:35 of the hourlong interview. I transcribe
some of it here.
[Garcia] would show up at my Dad and my gigs with Aunt Monk. He was playing
little places. He played on Union Street in San Francisco at this place called
The Generosity. It was tiny. And he would just show up with his amp in his car,
show up, come in and play. He never wanted any money. He just wanted to play.
And when you talk about him learning … we played a Stanley Clarke song one
night … but the song just went all over the place. And he came up to me and he
shook my hand and he said ‘Tony, that was a good one, because I couldn’t just
do what I thought that I could do. I couldn’t just play along and every time I
went to go, when I felt comfortable, I really liked that. That was a great
song.’ And a lot of the songs that they played in Legion of Mary, we played
them at first with the Aunt Monk group. And Jerry … he would play them first
there, and then he would transpose them over to the groups with my Dad.
When Feinberg asks (@ 35:35) who was in the group, Tony says “At first it
was E.W. Wainwright, myself, my Dad and … most of the times Jerry would come
sit in and be the guitar player. Another young guitar player, Chris Hayes, who
went on to play with Huey Lewis and the News for twenty years.” (As an aside,
Tony had earlier said that his first gig with his Dad and Jerry, when he was 18
(ca. 1974) was at the
Inn
of the Beginning, about which I have written a fair bit [see also the
IOTB
handbill collection at Chicken on a Unicycle]. I have a speculation about that,
but it’ll have to wait for another post.)
Anyway, I love Tony’s description of Garcia’s involvement. “He just wanted
to play”, indeed. And what we have on this tape, if not the precise Stanley
Clarke song Tony was talking about, is Garcia waaaaayyyyy out on the edge of
what he knew and could play. This ain’t “My Funny Valentine”, friends. The
final two songs here, are
one-offs of the Horace Silver's "Nica's Dream" and Stevie Wonder’s “Love Having You Around”.
Wow! These stealth gigs with Merl would be among the last Jerry would ever do. I
wouldn’t say this is Jerry’s best playing, but I would say it’s among his most
interesting, and certainly
among the last times he’d perform publicly utterly
without a net.
Well worth a listen. Thank you Robert Castelli, Bob Menke and MOTB crew for getting this stuff out for everyone to hear. Pretty amazing documents of a fleeting phenomenon.
Listening notes ...
MOTB Release: 0144 16/44.1
Release Date: 2010-05-19
Band: Legion Of Mary
Date: 1975-05-09 (Friday)
Venue: The Generosity
Location: San Francisco, CA
Analog Audience Source: Aud Master Cassettes (MAC)
Medium Stock Brands: MAC = 2 x Maxell UD C90'S
Analog Lineage: Sony ECM 270's => Sony TC 152 >> MAC
Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000
>> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg
AudioGate >> WAV [24/96]
Taped By: Robert Castelli
Transfer By: Bob Menke
Mastering By: Derek McCabe
(6 tracks, 83:51)
t01: ... When I Die [11:59] [0:18] %
t02: noodling [0:34], Little Bit Of Righteousness [15:07] %
t03: Little Sunflower ... [18:53] %
t04: ... Wondering Why [2:29] [0:10] %
t05: noodling [0:38], Nica's Dream [18:38] [0:16] %
t06: Love Having You Around/ [14:45]
! Band: Aunt Monk
! lineup: Merl Saunders - keyboards;
! lineup: Martin Fierro - saxophone, flute;
! lineup: Tony Saunders - el-bass [confirmed];
! lineup: Bob Stellar - drums;
! guest: Jerry Garcia - el-g;
JGMF:
! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut
song; ... = fade in/out; # = truncated timing; [ ] = recorded event time. The
recorded event time immediately after the song or item name is an attempt at
getting the "real" time of the event. So, a timing of [x:xx] right
after a song title is an attempt to say how long the song really was, as
represented on this recording.
! Jerrybase:
https://jerrybase.com/events/19750509-01
! db:
http://etreedb.org/shn/107829
(this source).
! This show is completely unknown except for this tape, which came into the
light via the efforts of Bob Menke and the MOTB crew in the first half of 2010.
Thanks to Rob Castelli for recording and sharing this, to Menke for his
tireless work on behalf of the recordings, and the MOTB recordings for making
it sing and getting it out to us, the masses. It is historically fascinating. I
suspect that the band is actually "Aunt Monk", which was Merl's band
of the time, with a regular gig at the Generosity [confirmed]. See also 2/14/75 for another
instance of what I believe to be this band at the same venue. The material is
more oriented toward long instrumental workouts of soul-funk-R&B numbers
than the Garcia/Saunders aggregation, which featured more (i.e., more than no)
Garcia vocals. This is not Jerry's band ... he is just a player. Who knows if
they even have vocal mics? The performances are loose and out there, the
setlists are fascinating (this one includes Garcia's only known engagements
with the songs "Nica's Dream" and "Love Having You Around"), and
the whole vibe of this is really special. It would not be long before Garcia
could no longer play a stealth club gig (or, in any case, would no longer do
so). Indeed, it's hard to think of any at all after about this point in time.
! personnel: Tony Saunders has confirmed that he is playing bass and Bob Stellar is on drums.
! R: t01 When I Die enters in progress
! R: t01 fade down/return @ 0:56
! P: t01 @ 8:30 ish Jerry sounds like he's doing a little Dancing in the
Streets thing. Still/again @ 9:20ish.
! personnel: based on the bass work being done t01 @ 3:50-4:42, I am concluding
that this is not John Kahn. I have never heard Kahn do those little funk slides
in there. This is probably Tony Saunders playing bass.
! R: t02 fade to splice @ 0:49, undetermined amount missing, possibly
substantial; fade down splice/return @ 6:07;
! P: t02 LBOR Garcia is raunching and tearing it up, e.g., in the 6-min mark.
Indeed, this is some of the free-est Garcia playing of 1975, I think. Vigorous,
hot, engaged, creative. Very, very nice.
! R: t02 fade down splice/return @ 9:36
! P: t03 Martin plays an Eleanor Rigby quote @ 4:35
! R: t03 Little Sunflower fades out
! R: t04 Wondering Why is fragmentary
! R: t05 splice @ 1:34
! song: Nica's Dream (t05). This is the Horace Silver composition, done by all kinds of people. Here's a nice clean (and hot-as-shit) take from Art Blakey and the Jazz Messengers,
The Jazz Messengers (1956):
https://www.youtube.com/watch?v=qLAbozQz4T0. This track is not obscure, but there are a lot of possibilities from within the jazz canon, and there's always more to hear and learn! It was first labeled simply "untitled 19750509a". Then etree user diethylether proposed on 8/27/2011 "I'm
fairly convinced that untitled 19750509a is 'Bahia' by Ary Barroso.
Compare it to the the version that Aunt Monk/Merl recorded on their 1976 album
You Can Leave Your Hat On (
Fantasy 9503, June 1976) ... the arrangement is similar, though on
this LoM recording Fierro is playing the melody where Merl plays it on the
album. The break between the original groove leading into a more swinging
section at the chorus is another point of similarity." At some point I listened closely, did some A-B comparison, to check this thesis, and came away saying "I have confirmed that this is Ary Barroso's 'Bahia, sometimes also written 'Baia'." Yet now (
2/18/2013), a knowledgeable anonymous commenter has indicated that it's "Nica's Dream", and I agree. Diethylether agrees. We all want to get it right, and it's wonderful when more knowledgeable folks chime in. Thank you! So, for those keeping score at home, this is the third and hopefully final appellation for this track, which is a singleton performance of the song.
! setlist: t06 was originally labeled "untitled 19750509b", but DNC
user Santos L. Halper proposed, and A-B comparison confirms, that this is an
instrumental of "Love Having You Around", the first track on Stevie
Wonder's 1972 album "Music of My Mind" (DNC Garcia Folder, Aug 8,
2011 10:55 am (#39795 ***39796)).
! R: t06 Love Having You Around fade/return @ 9:45; fades out as ending.
