Southwest Jerry with the JGB #15b No-Longer-A-Mystery Singers: Mesa and Austin, October 30 - November 1, 1982

LN jg1982-10-30.jgb.all.aud-maurins.120334.flac1644

LN jg1982-11-01.jgb.all.aud-dogman.100575.flac1644

I have recently copped to the fact that I have no idea who the backing vocalists are from October 24, 1982 to November 15, 1982, comprising a swing south to LA and Arizona, east across Texas (Austin and Houston) and to New Orleans, and up the eastern seaboard. It hurts me to have failed you so (thus far!). I will work harder!

update 20211227: they have now been identified

That cleared my brain to be able to post a couple of listening notes from Arizona and Austin. I don't have a lot to report except that, as I have noted before, Greg Errico hits like a linebacker.

Not much noted for the afternoon show on 10/30 in Mesa, AZ,, except noting that he takes about 20 seconds to set the desired tempo for the Midnight Moonlight encore. I did like the JGC attendee recollection that "There was a Halloween costume contest in between the Bobby set and the Jerry set. The winner was dressed in a home-made Magic Mushroom costume and he beat out a guy in a store-bought E.T. costume by crowd affirmation". Ouuccchhhh.

Two Errico highlights on 11/1 at the Austin Opry House: during HTC, around 9 minutes in, he starts banging double-time to get Jerry out of a rut, and it works. Being so forceful here, there's no denying him - fast and loud, and Garcia has to get faster and louder in response. Then, in Deal, Errico just jackhammers for like a minute and a half from 5:30-7, so deep that it has a kind of pacemaker effect on the listener. My heart felt like it wanted to synchonize with what the drummer was doing, leaving me a little lightheaded.

Pretty good stuff, I'd say average shows for this tour with the as-yet unidentified vocalists.

Jerry Garcia Band

Mesa Community Center Amphitheatre

201 N. Center Street

Mesa, AZ 85201

October 30, 1982 (Saturday) - 1:30 PM

80 min (patched, complete) ambient recording by Kaj Maurins shnid-120334

--main set + encore (10 tracks, 79:54)--

--main set (9 tracks, 71:38)--

t01. tuning [0:35]

t02. How Sweet It Is (To Be Loved By You) [8:07] [1:05]

t03. They Love Each Other [8:02] [0:29]

t04. Valerie [7:13] [0:31]

t05. That's What Love Will Make You Do [8:32] [0:29]

t06. Run For The Roses [4:58] [0:27]

t07. The Night They Drove Old Dixie Down [9:31] ->

t08. Dear Prudence [11:54] [0:28]

t09. Deal [8:49] [0:29] %

--Encore (1 track, 8:16)--

t10. Midnight Moonlight [7:54] [0:22]

! ACT1: Jerry Garcia Band #15b

! lineup: Jerry Garcia - el-g, vocals;

! lineup: John Kahn - el-b;

! lineup: Melvin Seals - organ;

! lineup: Greg Errico - drums;

! lineup: Elisecia Wright - vocals;

! lineup: Shirley Faulkner - vocals.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19821030-01

! JGC: http://jerrygarcia.com/show/1982-10-30. JGC lists early and late shows, but I believe this to be in error. User Fran Dostillio: "Outdoor Show in late October in Arizona! There was a Halloween costume contest in between the Bobby set and the Jerry set. The winner was dressed in a home-made Magic Mushroom costume and he beat out a guy in a store-bought E.T. costume by crowd affirmation."

! db: https://etreedb.org/shn/33805 (unknown aud); https://etreedb.org/shn/120334 (this fileset)

! map: https://goo.gl/maps/TCs9oAV8hVr

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/08/mesa-amphitheatre-201-n-center-street.html

! band: JGB #15b http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html

! historical: Bobby and the Midnites opened. John Scher promoted. $20k guarantee for the two bands. Bobby and the Midnites to receive 100% top billing. JGBP lists capacity as 4950, my figure of 3,800 from Billboard reporting on the actual show. Ticket stub gives "Mesa Community Center Amphitheatre".

! ref: Billboard, November 20, 1982, p. 52, showing 2,147 paid, gross of $27,519.

! R: Recorded by Kaj Maurins: Aiwa cassette recorder and unknown mics;

! R: Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0 > flac1644. Speed/pitch Correction by Joe B. Jones.

! R: t03 tape flip @ 7:01?, patched with shnid 33805.

! R: t08 DP tape flip @ 4:25-10:00 patched with shnid 33805. 10:25?

! P: t09 Deal gets really hot, but for less time than the really long and hot Deals of, say, February 1981 or June-December 1983.

! P: t10 about 20 second drums to start Midnight Moonlight, as Greg Errico finds the pocket. He's there. Interesting!

~~~~~~~~~~

JERRY GARCIA BAND 

Opry House

200 Academy Drive

Austin, TX 78704

November 1, 1982 (Monday) - 9 PM

Dogman MAC shnid-100575

--set I (7 tracks, 59:00)--

s1t01. How Sweet It Is (To Be Loved By You) [8:09] %

s1t02. /They Love Each Other [#7:42] % [0:17]

s1t03. Love In The Afternoon [10:24] [0:03] %

s1t04. /Let It Rock/ [#8:37#] % [0:13]

s1t05. I Second That Emotion [8:37] %

s1t06. Knockin' On Heaven's Door [9:58] ->

s1t07. Run For The Roses [4:52] (1) [0:07] %

--set II + encore (7 tracks, 74:58)--

--set II (6 tracks, 

s2t01. [0:06] Sugaree :07-12:48 [0:02] % [0:08]

s2t02. Harder They Come [13:39] [0:03] % [0:07]

s2t03. Valerie [7:33] % [0:09]

s2t04. The Night They Drove Old Dixie Down [9:11] ->

s2t05. Dear Prudence [14:10] ->

s2t06. Deal [8:10] (2) [0:04]

--encore (1 track, 8:56)--

s2t07. Midnight Moonlight [8:51] [0:05]

! ACT1: Jerry Garcia Band #15b

! lineup: Jerry Garcia - el-g, vocals;

! lineup: John Kahn - el-b;

! lineup: Melvin Seals - organ;

! lineup: Greg Errico - drums;

! lineup: Elisecia Wright - vocals;

! lineup: Shirley Faulkner - vocals.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19821101-01

! db: https://etreedb.org/shn/26940 (same master, multigen, s1s2p, shnf); https://etreedb.org/shn/85489 (aud); https://etreedb.org/shn/100575 (this fileset).

! map: https://goo.gl/maps/mhSzK9jdGQn

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/06/austin-opry-house-200-academy-drive.html

! band: JGB #15b http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html

! personnel: Listen at the start of HTC to hear the backing vocalists clearly. This would be a good segment to compare over time to hear the different voices.

! historical: I note the last three songs of this show plus the encore are the same as the last three songs of the previous show (10/30/82 in Mesa, AZ). Probably not all that common for that to have happened, though clearly show-to-show setlist variability was much lower for the Garcia Band than for the GD.

! R: field recordist: Alan "Dogman" Miller

! R: field recording gear: Sony Walkman

! R: field recording location: deck placed on stage in front of Jerry

! R: source: 1st Gen cassette (MAC > C) used for transfer, kindly provided by Randy Gardner. Transfer: TDK SA-90s > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. 08/2009

! P: s1t02 TLEO voice sound a little rough already.

! R: seeder notes: Same recording as ID-26940, complete & big sound upgrade. Thanks to CBass for assistance with this project.

! R: overall: very nice aud pull.

! R: s1t02 TLEO clips in

! R: s1t04 LIR clips in, clips out

! P: s1t04 LIR is hot as hell.

! P: s1t06 KOHD was quite tasty

! s1t07 (1) JG: "Thank you. We're gonna take a break for a few minutes. We'll be back [inaudible]."

! P: s2t01 Sugaree the round and round we go in 8 is pretty tasty. Fast, fluid, fluent, full of finesse, fine, flourishing fun.

! R: s2t01 Sugaree significant tape speed problems in the final minute

! P: s2t02 HTC Jerry's voice suddenly sounds a little fatigued. But man, he steps into gloriously fluent guitar around 2:40, and I forgive him. Synthy Melvin 5:23ff. At 9 Errico does a totally unique double time type thing - don't recall ever hearing this. And he hits so hard, he forces Jerry to pick up his pace and not lose amplitude. Neat!

! P: s2t03 Valerie he flubs first lyric, starting off with tell me what you want me to do in the first verse.

! R: s2t05 DP 0:08 > 0:14 patch from SHNID-85489

! P: s2t06 Deal flubs with a lot to win in the second verse as well as the first, corrects course. From 5:38 for more than a minute and a half Errico is a freaking JACKHAMMER. It's actually throwing my heartbeat off a little bit - I may have to visit the nervous hospital.

! s2t06 (2) JG: "Thanks a lot."

I Have A Confession To Make

I do not know who the JGB backing vocalists were between October 24, 1982 and November 15, 1982

I have posted many, many times about the early 80s backing vocalists (see Appendix below). Our understanding of who was who, and when, was greatly abetted by the fact that Corry Arnold took notes from the GD Ticket Service ("thank you, and stay in touch"), which also announced Jerry Band shows and tours and sometimes identified personnel. Here's how I currently understand things. This is all catalogued at Corry's "Jerry Garcia Band Personnel 1975-1995" post at LLD, or eventually will be to the extent that he agrees with me.

June 24, 1981 - August 23, 1981: Essra Mohawk and Liz Stires

The starting date of this configuration is not certain (see the discussion here), but overall this seems pretty solid.

September 7, 1981 - June 22, 1982: Liz Stires and Julie Stafford

Intrepid researcher slipnut found some reference to Liz Stires's sister singing on the first gig in this window, but I have shown the picture below to Julie Stafford, and she thinks that is her (left of the picture), and wasn't entirely sure but thought it could indeed have been her first night out.

JGB at Concord Pavilion, 9/7/81
photo credit: unknown

As far as the end of this window, Liz told me that she left the group just before the tour ended, after a gig in Richmond (6/22/82).

June 23, 1982 - June 24, 1982: Julie Stafford

We are fortunate that a review of the 6/23/82 show mentions "the female vocalist", confirming that Julie carried on as the lone backing vocalist, presumably for the last two nights of the tour.

October 24, 1982 - November 15, 1982: unknown

At one point, I thought Jacklyn LaBranch and DeeDee Dickerson began here. But Jacklyn has said very clearly that she and DDD started together at the Keystone in January 1983. I had also wondered whether Julie continued through the end of 1982, but she has said she did not.

So, as of now, this is a three-week hole in my personnel knowledge that disconcerts me, on the one hand, but also delights me because we still have mysteries to unravel.

January 13, 1983 - May 20, 1984: DeeDee Dickerson and Jacklyn LaBranch

With Jackie's clear statement that she and DDD began in January '83 at the Keystone, the start of this period seems clear. I used my unreliable ears to pin down the end of this window, noting the very different vocal sounds and stylings between May (DDD) and July/August (Gloria).

July 10, 1984 - April 23, 1995: Jacklyn LaBranch and Gloria Jones

The front end of this period is not entirely certain. I had originally thought Gloria started on 7/28/84, because there were no known electric shows between May (DDD) and then, while at the same time we know Gloria was with the band out east in August, so must have been in the fold for the local gigs in late July and on Jerry's bday. But then in 2018 I discovered previously undocumented Keystone Palo Alto gigs on July 10-11, and it seems extremely likely that these would have been Gloria's first with the band. It is not quite an iron law, but a clear regularity, that the Jerry Band liked to break in new members on off-nights, off the beaten path, or both. A Tuesday-Wednesday down in Palo Alto fits that bill pretty well.

Appendix: Mistakes along the way

10/24/82 with Julie? Apparently not

thought 7/20/83 was Gloria's debut, was wrong | thought 7/21/83 was her second, was wrong

late '83 tour: used to think this was Gloria, then discovered it was DDD

late '83 tour: further confirmation that it was DDD and not GJ

thought Gloria debuted 1/8/84, but I was wrong because 5/19/84: DDD still in the house per a review

thought Gloria debuted on 7/28/84, but 7/10/84 is more likely

Wabbit Hunting with Garcia and Kahn in Oakland and Guerneville, August 17-18, 1985

I shouldn't be mean. But posterity might not recall that many characterized Jerry's vocal sound in 1985 as resembling Elmer Fudd, so I am doing it for future generations. You can thank me later.

Not much to report. While the Dunsmuir House and Gardens maybe have been a cool place to see Jerry on an August afternoon ... 

Jerry and John in dappled sunlight on the grounds of the Dunsmuir House, Oakland, August 18, 1985. Photo credit: Tim Schonholtz

... he sounds quite bad on this August 18th while delivering two sub-40 minute sets.

The night before, at the sweet little River Theater in groovy Russian River town of Guerneville, is a little bit stronger, to my ears.

Jerry Garcia and John Kahn
River Theater
16135 Main Street
Guerneville, CA 95446-8301
August 17, 1985 (Saturday) - 9 PM
Corley MAC shnid-20898 shn2flac

--set I (6 tracks, 42:48)--
s1t01. Deep Elem Blues [7:29] [0:08]
s1t02. Little Sadie [4:57]
s1t03. Valerie [6:14] [0:37]
s1t04. Friend Of The Devil [7:31] [0:08]
s1t05. Simple Twist Of Fate [10:33] ->
s1t06. Run For The Roses [4:50] (1) [0:22]

--set II (6 tracks, 40:12)--
s2t01. [0:46] When I Paint My Masterpiece [7:19] [0:10]
s2t02. I've Been All Around This World [6:15] [0:06]
s2t03. Jack-A-Roe [4:27]
s2t04. Bird Song [11:23] [0:07]
s2t05. Gomorrah [5:08]
s2t06. Ripple [4:23] (2) [0:07]

! ACT1: Jerry Garcia and John Kahn
! lineup: Jerry Garcia - ac-g, vocals;
! lineup: John Kahn - ac-b.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [m:ss] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [m:ss] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19850817-01

! JGC: https://jerrygarcia.com/show/1985-08-17

! db: https://etreedb.org/shn/20898 (this fileset)

! map: https://goo.gl/maps/dYyvu55qka62

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/06/river-theatre-16135-main-street.html

! R: field recordist: John Corley

! R: field recording gear: 2x Nakamichi 700 > Sony TC-D5M

! R: lineage: MAC > ? CD > DAE (EAC0.9b4, offset corrected, secure mode QPS QUE2410) > editing (SF6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (shorten3.4) via C.Ladner. Thanks to J.Powell for the source CDR. misSHN in the rain, 12/03.

! R: seeder comments: Very clean recording without any significant flaws other than intermittent loud close up audience noise. s1t01 - master recording levels during the first 25 seconds were extremely low, i applied a +10 dB gain to this small segment using SF6 to bring it line with the remainder of the recording.

! P: s1t01 DEB voice already sounding rough

! P: s1t02 Sadie second verse he sings "standing on a corner" twice, then gets to "oh yes, sir", so a flub but a recovery.

! s1t06 JG: (1) We're gonna take a little break. We'll be back in a few minutes."

! P: s2 Elmer Fudd most definitely in the house. Almost can't sing Bird Song at all. Ouch.

! P: the set II vocals are ... not good. But, then again, you knew that.

! s2t06 (2) JG: "Thanks a lot. See ya later."

~~~~~~~~~~

Jerry Garcia and John Kahn
Dunsmuir House and Gardens
2960 Peralta Oaks Ct.
Oakland, CA 94605
August 18, 1985 (Sunday) - 3 PM
Menke MAC MOTB #0210 flac2496

--Set I (6 tracks, 35:00)--
s1t01: [0:05] Deep Elem Blues [6:56] [0:02]
s1t02: Friend Of The Devil [6:25] [0:08]
s1t03: [0:17] Little Sadie [6:51]
s1t04: Valerie [6:15] [0:03]
s1t05: I've Been All Around This World [4:59] ->
s1t06: Run For The Roses [4:49] [0:11]

--Set II (6 tracks, 38:25)--
s2t01: [0:30] When I Paint My Masterpiece [6:02] [0:04]
s2t02: Jack-A-Roe [4:31] [0:09]
s2t03: Bird Song [9:52] [0:04]
s2t04: Gomorrah [5:37] ->
s2t05: Ripple [4:19] (2) ->
s2t06: Goodnight Irene [6:52] (3) [0:25]

! ACT1: Jerry Garcia and John Kahn
! lineup: Jerry Garcia - ac-g, vocals;
! lineup: John Kahn - ac-b.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19850818-01

! JGC: https://jerrygarcia.com/show/1985-08-18

! db: https://etreedb.org/shn/13520 (this master, shnf, deprecated); https://etreedb.org/shn/88019 (Holtz Nak 100s MAC flac1644); https://etreedb.org/shn/88020 (Holtz Nak 100s MAC flac2496); https://etreedb.org/shn/98629 (Taz Yamaguchi and Jamie Poris MAC); https://etreedb.org/shn/141508 (supposed CSBD); https://etreedb.org/shn/141509 (supposedly Sandy Troy MAR); https://etreedb.org/shn/149863 (Jonathan Mow MAC flac1644), https://etreedb.org/shn/149864 (Jonathan Mow MAC flac2496).

! map: https://goo.gl/maps/93RVX3dF7812

! JGBP: https://jerrygarciasbrokendownpalaces.blogspot.com/2011/09/dunsmuir-house-2960-peralta-oaks-court.html

! R: field recordist: Bob Menke

! R: field recording location: 15' from stage slightly off-center

! R: field recording gear: 2x Nakamichi CM 700 > Sony TC D5M

! R: field recording media: Maxell MX 90

! R: Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz. Transfer By: Bob Menke. Mastering By: Derek McCabe.

! R: MOTB Release: #0210 24/96, release date 2012-08-19. Note: "flacs are tagged, enjoy!"

! P: s1t06 RFTR is deeply painful to listen to. Garcia absolutely crashes as this song begins, and he barely brings it to the finish line.

! s1t06 (1) JG: "We're gonna take a break for a few minutes, come back. Tune up, and stuff."

! P: s2t03 Bird Song in the 4-minute mark, Kahn is doing some really interesting and unusual modal-sounding stuff. As they round the 5-minute mark, he's still playing very creatively. I am not sure he's pulling it off, mind you, but he's trying. In the first half of the five-minute mark, Jerry hits several clammy notes, to my ears. Not that they don't work with what John's doing, but that they don't work with what Jerry's doing. 

! R: s2t03 are those speed warbles in the 6-minute mark, or is Jerry really playing that shit? E.g., 6:58-6:59?

! s2t05 (2) JG: "Thanks a lot."

! song: Goodnight Irene (s2t06): I have always wondered if, in singing the "jump overboard in the river and drown" line, Jerry became 4 year old Jerry, little Jerry, and replayed his father's drowning in the Russian River. One would think not, because that would seem a little morbid, to say nothing of painful, for our boy. But maybe he didn't go there. Or maybe he went there and he was OK. But it's hard to imagine that a person imprinted with that memory, that vision, wouldn't go there. Who knows.

! P: s2t06 GI The acoustic setting lets Jerry not oversing too badly, as of course he'd have to do with the Grateful Dead, and to a lesser extent, with his electric band. In that sense, and because the tape is so clean, we get another view on Garcia's voice in August 1985. He sounds better than he did in the GD, that's for sure. But it ain't entirely pretty. He is very limited, and his talking and singing voice both have the nasally, I-just-shredded-my-already-bleeding-sinuses timbre characteristic of Crosby's voice during this same time period, as well as a certain wascawwy wabbit huntew. Just Say No to Cocaine, Kids.

! s2t06 (3) "Thanks a lot. See y'all later."

! P: Total show time 73:26. Brutal, Jer.

Nice RAC, Señor: JGB at the Warfield, April 25, 1994, set II

Not much bandwidth these days, so some bullets.

1) I am way behind on posting listening notes. I have lots backed up, and many of them are pretty spare. I have sometimes threatened to post these kind of notes in batches, just to get them out of my mind, and not always followed up. This time might (or might not) be different.

2) I wonder what the story is behind the random 90s JGB board tapes that circulate? I suspect every one of them has an interesting story, because there was not systematic leakage of these - Cutler kept a pretty tight lid on things, and there was just less demand for these than for contemporary GD tapes.

3) Jerry sounds old, but much better here than five days earlier. Higher asymmetric --downside-- variance in this period than any other. The Rock Bottom period had higher overall variance, comparing the killer high guitar peaks with the killer low vocal troughs. Ten years later, the highs don't get so high, but, as on 4/20/94, the lows could get really low. 4/25/94 II is pretty good, nothing too problematic.

3) "Money Honey" got a re-arranged ending somewhere in the late period. I would kind of like to pin down when it showed up.

4) Nice "Reuben And Cherise" here. It's my favorite Garcia Band song, and I think I hold it to a pretty high standard. It sometimes went 'round the bases too many times at the end, stuck in the same rut that its album-mate "Cats Under The Stars" often found. But Jerry is mindful here to throw in enough wrinkles to make things interesting.

5) Final JGB "Señor". Sigh. I love love love love love this tune so much. He mumbles a fair share of the lyrics, but there's some good stuff here, too, like the growly "magnetic field" and a repeated "I'm ready when you are" at the end.

6) Crazy dense period for Jerry at the Warfield: April 18-19-20 and 25-26-27 with JGB, then May 4-5 with Grisman. Maybe Deborah needed some new shoes, and goodness knows that golden eggs don't lay themselves.

Jerry Garcia Band
The Warfield
982 Market Street
San Francisco, CA 94102
April 25, 1994 (Monday)
s2 sbd shnid-77711

--set II (7 tracks, 59:56)--
s2t01. Harder They Come [12:12] [0:41]
s2t02. Mission In The Rain [9:55] [0:14]
s2t03. You Never Can Tell [7:00] [0:02] % [0:04]
s2t04. Money Honey [7:07] [0:10]
s2t05. Reuben And Cherise [9:05] [0:27]
s2t06. Señor (Tales Of Yankee Power) [6:47] ->
s2t07. Midnight Moonlight [6:09] (1) [0:03]

! ACT1: JGB #23
! lineup: Jerry Garcia - el-g, v;
! lineup: John Kahn - el-bass;
! lineup: Melvin Seals - keyboards;
! lineup: Donny Baldwin - drums;
! lineup: Jacklyn LaBranch - backing vocals;
! lineup: Gloria Jones - backing vocals.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [x:xx] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19940425-01

! db: https://etreedb.org/shn/12257 (same root tape, shnf); https://etreedb.org/shn/77711 (this fileset); https://etreedb.org/shn/97864 (Vasseur MAD, complete).

! band: JGB #23 (http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html)

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2013/02/warfield-982-market-street-san.html

! map: https://goo.gl/maps/ZW52vfHTbjs

! R: SBD > 1C? > DAT? > CD > flac. Seeded 8/2006 by Teddy "GoodBear" Selby. A Teddy "GoodBear" Production ~ www.goodbear.com :wave: 

! P: s2t03 YNCT some mumbly here and there, e.g., around 6:25. Jer sounds old, but good not bad.

! P: s2t04 Money Honey w the newly arranged ending

! P: s2t05 RAC Donny is offbeat. It takes 45 seconds at the start to set the 1. That said, I think he nails every word of the lyrics! He has finished singing the lyrics 5:28, goes around several times, goes higher up 5:40 and Melvin synths a little alongside. A little bit of variation in the phrasings in the 6 minute mark. Now I fear this is going to get stuck going around for too long without enough happening to justify it. And I find myself there 6:45. Jerry needs to mix things up, or end it. A little more wrinkling right over 7, longer phrases than one might often hear in RAC (not sure), but good that he is making it more interesting. Descending bit 7:45 good. He's hitting the deeper chords to signal the end 8:30 and so forth, then digs in to finish it 8:50. A very good late era RAC, I have to say!

! song: Señor (Tales Of Yankee Power) (s2t06): final Garcia performance.

! P: s2t06 Señor a few lyrical stumbles. 1:48 is that mumble mumble still playing in that hay-cant lot. 2:27 mumble mumble, maybe should have been "I can't stand the suspense". Then mumble waiting there Senor. 4:40 mumble I remember. Returns to eyes glued to the door, instead of picking himself off the floor.  He does some nice low growly stuff, as on "magnetic field", which is how Bob did it and I don't recall Jerry doing it so much. He repeats "I'm ready when you are" in the last line, rather than "can you tell me what we're waiting for", but it WORKS.

! s2t07 (1) JG: "Thanks a lot. See y'all later."