The only tape circulating for the Garcia Band show at Stages in East St. Louis, May 23, 1983, was recorded using the built-in mics of a Sony D6 by one Steven Shayman. Looks like it entered circulation in June 2004 as a shn fileset put together by Dr. Chris Ladner (neo_levo) as part of the MisSHN in the Rain offshoot of the The Music Never Stopped (TMNSP) project to canonically archive and circulate, well, everything.
I have always loved that tour, and consider 5/31/83 to be an all-time great Garcia Band show. There are lots of great tapes from known tapers using fancy gear, in venues we know and love such as the Cap, from the back end of the tour. The band plays encores the last eight shows of the tour, and eleven of the last twelve -- and not always "Midnight Moonlight", but some killer "Rhapsody In Red"s and other stuff. It's hot.
The early part, by contrast, wobbles a little bit. I know the Saturday Rainbow show in Denver was a late-add and didn't sell out, though I like it pretty well. The next night north of K.C. was canceled for reasons unknown --I presume that ticket sales were just too slow for a room that was much too large-- and the gig at the incredible Shea's Theatre in Buffalo on the 25th gets a "meh" from me, though that may be because the tape is kinda rough.
Anyway, for all of these reasons, I suppose, I have utterly neglected little ol' 5/23/83. And I was wrong to have done so.
The tape is actually quite a delight. It sounds really fresh and nice. Shayman must have found a good spot, and the D6's built-in mics pick everything up. As any taper will tell you, location > gear. There's plenty of the sellout crowd, and everyone seems to be having a great old time. Jerry hadn't played St. Louis outside the GD since 1976, and everyone seems enthused to have hime come through. A review from unidentified publication (Durrwachter 1983) captures the vibe nicely, invoking a happy crowd packed onto the club floor, dancing a vital, lively, tight band. All of that comes through on the tape.
He even looks pretty good!
Jerry at Stages, East St. Louis, May 23, 1983. Picture credit: Madeline Dames, via https://www.gdao.org/items/show/826463 |
I don't have a ton of @@wowwowwowwowwows in my notes. I hear some fanny goodness in "Catfish John," a rockin' "Let It Rock," and some of the period's chacracteristic beautiful spirraling guitar figures in both "Harder They Come" and "Dear Prudence". Not a lot of the metallic, hair-on-fire burn here, even in "Deal", at least not that I noted. The show has a cooler, smoother, sweeter vibe than we'd hear after another week-plus on the road. It's just a really nice listen from both a recording and a performance standpoint. Don't make the same mistake I did and leave it neglected for 17 years.
Tour table follows, then listening notes.
Table xxx. Spring '83 JGB tour
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Jerry Garcia Band
Stages
550 State Highway 203
East St. Louis, IL 62201
May 23, 1983 (Monday)
Shayman MAC shnid-24498 shn2flac
--set I (6 tracks, 47:25)--
s1t01. [0:12] How Sweet It Is (To Be Loved By You) [7:41] [0:25] % [0:11]
s1t02. [0:15] Catfish John [10:03] [0:11] % [0:11]
s1t03. They Love Each Other [7:53] [0:17] % [0:08]
s1t04. Let It Rock [8:55] [0:12] % [0:07]
s1t05. Gomorrah [5:48] ->
s1t06. Run For The Roses// [4:56#]
--set II + encore (7 tracks, 6 tunes, 71:09)--
--set II (5 tracks, 59:44)--
s2t01. [0:05] Mission In The Rain [10:07] [0:19] %
s2t02. [0:18] I'll Take A Melody [14:01] [0:26]
s2t03. Harder They Come [12:37] 0:36] % [0:07] %
s2t04. /Dear Prudence [#12:03] ->
s2t05. Deal [9:01] (1)
--encore (2 tracks, 1 tune, 11:24)--
s2t06. ambience [3:04]
s2t07. Midnight Moonlight [7:43] [0:37]
! ACT1: Jerry Garcia Band #15c
! lineup: Jerry Garcia - el-g, vocals;
! lineup: John Kahn - el-bass;
! lineup: Melvin Seals - keyboards;
! lineup: Greg Errico - drums;
! lineup: Jacklyn LaBranch - vocals;
! lineup: DeeDee Dickerson - vocals.
JGMF:
! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [m:ss] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [m:ss] right after a song title is an attempt to say how long the song really was, as represented on this recording.
! Jerrybase: https://jerrybase.com/events/19830523-01
! db: https://etreedb.org/shn/24498 (this fileset)
! map: https://goo.gl/maps/Aa5XDQacPhrJpXxL7
! JGBP:
! band: JGB #15c (http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html)
! R: field recordist: Steven Shayman
! R: field recording gear: Sony D-6 w/ internal microphone
! R: lineage: 1st-generation cassette; CDR transfer by Gary Cameron, May 2004.
! R: seeder notes: All cuts were on the master seed. All in the "crowd noise". Cuts were smoothed out with Sound forge. AddaWav was used to reconnect all tracks and CDWwave was used to retrack. shn'd using mkw with appended seek table by wally direwolfnfa@hotmail.com . Another installment of MisSHN in the Rain branch of TMNSP, 06/04.
! R: You might fear what a handheld D6 built-in mic tape from a little club in E. St. Louis might sound like, but this is perfectly nice.
! P: s1t02 CJ some big huge notes in 8. Fanny goodness.
! P: s1t04 LIR characteristically smokin'.
! R: s1t06 RFTR cuts @ the end, faded out. Not much missing.
! R: s2t01 Mission in The Rain fades out
! R: s2t04 Dead Prudence clips in, drop out @8:47
! P: s2t04 DP has some great circular stuff mid-9, as HTC had had. Crowd is fired up to hear Jerry, who is playing well.
! s2t06 (1) JG: "Thanks a lot. See ya later."
! s2t06 this seems like a true encore. I imagine that Jerry had no intention of coming back. But the crowd really is going wild. Love having this three minute track, capturing the wild cheering, then, from 2, "Jerry! Jerry!" Most crowds that did this were left without satisfaction. But here Jerry and crew do step back out. It's only a Mid Moon, but still.
Don't mean to be a noodge, but the WM-D6 does not have a built-in mic. Judging from the wide image it was probably a little external stereo mic. Anyway, thanks for the review, this is a great show!
ReplyDeleteThanks - we love noodging here! I had a WM-D6C, and I recall it came with a little block mic. Not built-in, but included with the deck.
ReplyDeleteBy far, the best shows I attended on this tour were the early & late shows at the Chance in Poughkeepsie, NY. You had to be there. The tapes are tinny. The Chance is 600 person max capacity venue in a barely surviving, almost forgotten Hudson River mill town, 75 miles from NYC and two days removed from the 2 Roseland Ballroom shows earlier in the week. If you had time machine, this is the date and place to go.
ReplyDeleteYeah, 600 is tiny! Must have been fun.
ReplyDeleteHello, I am the person who recorded this show. I might be wrong about the Sony recorder I used being a “D-6” but I know it wasn’t a D-5, which was bigger, rectangular and flatter, and most often seen at shows in the hands of experienced tapers. My cassette recorder, by contrast, was the best Sony available in that early ‘80s era, for these crucial features that I needed: small (just a little bigger than the usual cassette Walkmans of the time), super-portable, and most importantly, had built-in stereo mics in one of the upper corners, that made it optimal for when you maneuvered into a sweet spot position and firmly and stably hand-held the recorder like I did at this JGB show: We drove down from Chicago, got in to the venue early, and I positioned myself front and center on the lighting platform just above and dead fucking center in front of the stage, about 15 feet away looking forward and down at the musicians. I was the only one there in that spot, which I shared with a lighting person off to my sides, and as far as I know was likely the only one there taping that night.
ReplyDeleteThen we drove back to Chicago after the show, rolling up northeast to the skyline at sunrise, feeling sparkly and still not believing our good fortune to have seen JGB in such a small club venue, a rarity for the Midwest.
DeleteThis is the closest if not the exact Sony portable stereo cassette recorder from the early ‘80s that I used and am talking about here…
Deletehttps://www.ebay.com/p/1773124482
It was also good for patching into other tapers, which I also did in ‘83 at the Greeks, Red Rocks and Santa Fe…after that spurt, I decided taping and the in-show attention it demanded wasn’t for me, and basically thereafter enjoyed the fruits of other tapers’ labors like the rest of ya…🫡😁😊
DeleteYeah! Thanks for weighing in. As you can read, I am a huge fan of the tape you pulled that night, and of the show you saw. Great stuff.
Delete