Wednesday, December 25, 2013

RN Abbott 1979 Dead Reckoning and Hamburger Metaphysics



Abbott, Lee. 1979. The Jerry Garcia Feature: Dead Reckoning and Hamburger Metaphysics. Feature (March): 32, 34-37. Also reprinted in Dodd and Spaulding 2000.

Reading Notes

Tags: 1978, Atlanta, interviews, drugs, Army, why, death, fascism, reading notes, GA

Took place in Atlanta 12/18/78, at the Colony Court’s Savannah Suites hotel. Not sure the name address.

Jerry, with his “chemically lit” eyes, is grooving in this interview.

Doesn’t want to talk about himself. He’s old news.

“Jerry is in a self-described ‘state of happiness’ (Abbott 1979, 34).

''I was a fuck-up in high school," Jerry says, easing himself onto the couch. Outside, a hard rain threatens. Inside, Garcia is in high animation, giggling and working over the past with a bantamweight's vigor. "When I was a kid, I was a juvenile delinquent. My mom even moved me out of the city to get me away from trouble. It didn't work. I couldn't stand high school 'cause I was burning my bridges as I went along. But I didn't have any way to go. I don't think I did any more than anybody else. It's just that I was always getting caught-for fighting, drinking, all the stuff you're not supposed to do. … I was involved in more complex ideas. I started reading Schopenhauer, Heidegger and Kant when I was in the seventh grade. After that, school was silly” (Abbott 1979, 34).

Unfiltered Camel

“there were gunfights in the halls, but I didn't fit into that either. I was happening on a different plane entirely. That's one of the reasons I got into drugs. In all that teenage craziness, it was the only good trip around" (Abbott 1979, 34). #drugs

"I had been court­martialed twice and had tons of extra duty and was restricted to barracks. I was just late all the time. 1 would miss roll call. I had seven or eight or nine or ten AWOLs, which is a pretty darn serious offense in the Army. So one day I'm called to the CO's office. No heavy trip or anything. He says, 'Private Garcia, how would you like to get out of the Army?' And I said, ‘I’d like it just fine.' Two weeks later I was out" (Abbott 1979, 34). #army

Car accident changed his life, no more coasting.

"I was in a good automobile accident." Jerry grows anxious. "I was with four other guys in an old Studebaker Golden Hawk- supercharged engine, terrible suspension, ninety-plus miles an hour on a back road and we hit these chatter-bar dividers. It was just Wham! We went flying, I guess. All l know is that I was sitting in the car and that there was this ... disturbance ... and the next thing, I was in a field. I went through the windshield and landed far enough away from the car where I couldn't see it. It was at night. It was very, very quiet, you know. It was like a complete break in continuity-from sitting in the car roaring down the road to lying in a field wondering what had happened- nothing in between." Anybody get hurt? "Yeah," Garcia says with genuine awe. "One guy did die. He happened to be the most gifted of our little group. It was like losing the golden boy, someone who had a lot of promise, the person who had the most to offer" (Abbott 1979, 34).
"You were lucky," I suggest.

"Oh, yeah," Garcia agrees. "The car was like a crumpled cigarette pack. It was almost unrecognizable. And there were my shoes in it, dig? I had been thrown out of my shoes and through the windshield." He pauses over the memory of a pair of scuffed Army-issues lying on the floorboards of a violence sculpture. "That's where my life began." He breathes. "Before then I was always living at less than capacity. I was idling. That was the slingshot for the rest of my life. It was like a second chance." [#why] He looks at me hard, his expression earnest, grateful, dead. "Then I got serious.” Another toke. A deep suck of mortality. "I dig the affirmation side of death. Death is one of those things that's been taken from us as an experience. We hide it. As a result, it becomes fearful, scary, because it's unknown. Really, man, it's the other side of being born" (Abbott 1979, 34). #death

“Garcia is on his knees, praying to the coffee table. The toot is vicious, cut with meth, not with quinine, and it’s enough to rip your sinuses out. It goes straight to the forebrain – a howling blizzard of Insight and Truth. The rush is, well, chilling; your scalp tingles, a hospital sourness scours the back of your throat.  Then a Con Ed generator of electricity sizzles your synapses … Your smoke is tasty. You are ready to Talk.” (Abbott 1979, 35). #drugs

“my most palpable experiences have all been psychedelics” … there was one in particular, the ne plus ultra trip, the apocalypse” at the end of what Jerry describes as his psychedelic period” (Abbott 1979, 35). #drugs

"It featured countless-thousands, millions-- births and deaths. The phoenix trip, you know. And in my consciousness, it went all the way from, uh, insects to vegetables to mammals to civilizations-to organisms of every sort."  What happened? ''Everything," Garcia barks, drawing closer, the glint of his eyes grave and dear. "For me, my trips began to take a different kind of form. The first ones were visual, you know, patterns, colors, profound revelations, 'Yeah, I get it'- the standard stuff. Then I started going to the Acid Tests and experiences were happening to more than one person at a time. They had this telepathic quality. Then into that stepped another level which was between and amongst the telepathic explosions. Between the flashes and surprises was this 'You're almost getting it.' An urging. Then there was a presence which I think of as the Teacher, which represents a higher order. There would be this feeling of déja vu. All these little bits of input-people talking, certain sights-would start to coalesce: 'Damn, You Got It! BOOM!' It took on this teacher-pupil relationship: Me and my other mind! … It scared the shit out of me, man. It was like, What do you believe?' It removed everything I was certain of. And in its place was a new set of circumstances. And these circumstances were like pages in a book. They started moving until I was living out a whole lifespan with all the intricacy of one's life, all the way up to the moment of one's death. The final realizations, the summation” (Abbott 1979 35).

"Cosmic is the only word for it," he sighs. "Nothing has happened in my life since then, man. Nothing was as climactic, as complete as that." (Abbott 1979, 36). Everything after was anticlimax.

Story of a tripper with a big knife threatening JG on stage at a ballroom (Abbott 1979, 36). The power of the crowd “comes somewhere close to losing your will” (Abbott 1979, 36). #fascism

Rock Scully is onetime cellmate of Bob Haldeman (Abbott 1979, 37). JGMF: is this true?

"I don't want to be a leader because I don't want to be a mis-leader. I haven't put any safeguards there. I haven't paid the dues to be responsible for leading people. The most I would want to do would be to indicate, using my life as a model, that it's possible for you to, uh, go for it. But following me is like a dead end street. There's nothing here but me. I can't multiply fishes and loaves and turn water into wine” (Abbot 1979, 37).

"I remember going down to Watts Towers after the Watts Acid Tests. It had been a hard night, I'd gone through a lot of heavy changes, and it was dawn. I remember looking at this stuff. It was just junk. Nobody could tear it down, so they made a monument out of it. I remember thinking that I'd rather have a life that gets me off while I'm living it and leave nothing and not litter the world with concrete relics or ideas or things that will hang you up” (Abbott 1979, 37).

REFERENCE:


Dodd, David G., and Diana Spaulding. 2000. The Grateful Dead Reader. Oxford: Oxford University Press.
 

Wednesday, December 18, 2013

new snow on top of freezing rain and fog and really poor visibility, just a disaster of a night for travelin', but we didn't wanna miss the show


This ticket stub is an awesome piece of memorabilia - attendee wrote the names of all of his show-going companions. Here are his recollections, posted from Lossless Legs (12/16/2013):
I vaguely recall the weather bein' a combination of new snow on top of freezing rain and fog and really poor visibility, just a disaster of a night for travelin', but we didn't wanna miss the show and drove down to New Haven from Waterbury, parked on campus somewhere, and made the hike across campus on foot (slippin' and a slidin') to the gymnasium.  I seem to remember the ice bein' more the problem than the snow (no surprise there).  With 13 names on my ticket stub we all must've come down in one car - maybe 2.

LN jg1980-02-16.jgb.all.aud-macfarland.102352.flac2496

The show doesn't slay me. It's OK. The tape is pretty good. I am not sure that WIPMM is actually an encore, need to cross-check with other tapes.


Jerry Garcia Band
Charger Gymnasium, University of New Haven
300 Boston Post Road
New Haven, CT 06516

February 16, 1980
MacFarland MAC flac2496 shnid-102352

--set I (5 tracks, 51:23)--
s1t01. [0:38] How Sweet It Is (To Be Loved By You) [7:27] [1:00]
s1t02. They Love Each Other [6:57] [1:30]
s1t03. Let It Rock [9:18] [0:08] % [0:15]
s1t04. Simple Twist of Fate [16:17] % [0:01]
s1t05. That's Alright, Mama [7:36] (1) [0:15] %

--set II + encore (5 tracks, 56:42)--
--set II (4 tracks, 46:49)--
s2t01. /It Takes A Lot To Laugh, It Takes A Train To Cry [11:04] [0:07] % [0:09]
s2t02. Tore Up Over You [8:46] [0:13] % [0:08]
s2t03. Russian Lullaby [12:42] [0:05] %
s2t04. [0:17] The Harder They Come [12:03] [1:14]
--encore (1 track, 9:53)--
s2t05. When I Paint My Masterpiece [9:48] [0:05] %

! ACT1: Jerry Garcia Band
! lineup: Jerry Garcia - el-g, vocals;
! lineup: John Kahn - el-b;
! lineup: Ozzie Ahlers - keyboards, vocals;
! lineup: John D'Fonseca - drums.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! TJS: http://www.thejerrysite.com/shows/show/1448

! db: http://db.etree.org/shn/21477 (unknown aud shnf); http://db.etree.org/shn/32346 (Scott Vid flac1644); http://db.etree.org/shn/100697 (composite of shnid-21477 and shnid-32346); http://db.etree.org/shn/102353 (MacFarland flac1644); http://db.etree.org/shn/106583 (Morris flac2496); http://db.etree.org/shn/102002 (Morris flac1644); http://db.etree.org/shn/102352 (MacFarland flac2496, this fileset).

! map: https://goo.gl/maps/tffBV7F2wKx

! venue: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/10/charger-gymnasium-300-boston-post-road.html

! band: JGB #11a http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html

! tags: 1980, JGB, college gigs, listening notes, Bob MacFarland, Charger Gymnasium, University of New Haven, New Haven, CT

! R: field recordist: Bob MacFarland a.k.a. Emoto

! R: field recording location: FOB

! R: field recording gear: ?mics > Superscope/Marantz CD-330

! R: field recording media: 2x Maxell UDXL-II90 (Dolby B on)

! R: archivist: Rob Berger

! R: transfer: Nakamichi Dragon > HD-P2 24/96 > HD > Adobe Audition 2.0 > CDWave > flac, 11/3/2009.

! R: seeder notes: "fuckin' killer ... my favorite version of a favorite show ... nice job Emoto!  thanks for sharing your master with us."

! P: overall: Kahn has a nice fat tone this night.

! P: s1t01 HSII I find Jerry's singing to be well articulated on this tour. It's not the 1978 Dylan exaggerations, but he's hitting his hard consonants hard, lots of good 't's and 'f's and 'd's. He's doing a little bit of growling here "open my *eyes* at nigHT" stuff here. Nice strong guitar solo 3:30. Ozzie singing harmony vocals 7-min mark.

! P: s1t03 LIR Ozzie gives a real nice synthesized train effect to set the tone. Nice. Johnny D is a nice drummer, setting the foundation with some hard splashes, Jerry steps right on and starts with the first verse, and takes a strong guitar run late 1-min mark, raunchy rtakinte mark. Late 7 minute mark over 8 Garcia does some ridiculous fanning. He now has the crowd's full attention.

! P: s1t04 STOF meanders, as it tended to. John featuring in the 12-minute range, and I do like his tone this night.

! s1t05 (1) JG: "We're gonna take a short break, we'll be right back."

! s2t01 R: ITALTL, ITATTC clips in, almost nothing missing

! P: s2t02 TUOY does nothing for me

! P: s2t03 RL Ozzie solo late 4-minute mark.

! P: s2t04 HTC some very fine guitar work in the 8-minute mark, Jerry has found a spark, and the crowd is receptive.

! R: s2t04 I think there's a splice about 10 seconds or so after end of HTC, maybe 15. But it's subtle. Otherwise, if this is continuous tape, we should really consider whether this constitutes an encore. I need to check other copies and reviews and such.

! P: s2t05 WIPMM ends with good energy, but it doesn't strike me as equal to the 2/24/80 version.

Two Negative Reviews, One Participant Observation of Deadheaddom, Long Island Style: JGB at Stony Brook, February 24, 1980


So much to say, so little time. Eventually the February 1980 tour will have to be written up. Here are some raw materials. Really nice tape, an excellent version of "When I Paint My Masterpiece" , two negative show reviews and one a participant observation study of Deadheaddom, Long Island style, February 1980.

LN jg1980-02-24.jgb.all.aud-stankiewicz.126077.flac2496

Jerry Garcia Band
Pritchard Gymnasium, State University of New York (SUNY)
1 Center Drive
Stony Brook, NY 11794

February 24, 1980 (Sunday) 9 PM
Richie Stankiewicz MAC flac2496 shnid-126077

--set I (6 tracks, 57:17)--
s1t01. crowd [1:05]
s1t02. Sugaree [15:15] [0:17]
s1t03. Catfish John [9:40] [0:40]
s1t04. How Sweet It Is (To Be Loved By You) [8:44] [0:09] %
s1t05. Sitting Here In Limbo [11:54] [0:56]
s1t06. That's Alright, Mama [8:20] (1) [0:36]

--set II + encore (7 tracks 65:00)--
--set II (6 tracks, 56:40)--
s2t01. crowd [1:47]
s2t02. That's What Love Will Make You Do [9:14] [0:22]
s2t03. When I Paint My Masterpiece [9:01] [0:18] %
s2t04. Tore Up Over You [9:01] [0:14] % 9:15-
s2t05. I'll Take A Melody [12:24] [0:38]
s2t06. The Harder They Come [12:13] (2) [0:17] %
--encore (1 track, 8:19)--
s2t07. [0:38] Midnight Moonlight [7:31] (3) [0:10] %

! ACT1: Jerry Garcia Band
! lineup: Jerry Garcia - el-g;
! lineup: John Kahn - el-b;
! lineup: Ozzie Ahlers - keyboards;
! lineup: John D'Fonseca - drums.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19800224-03

! db: http://etreedb.org/shn/8414 (probable Mark Cohen, shnf); http://etreedb.org/shn/8913 (unattributed, shnf); http://etreedb.org/shn/18019 (Mark Cohen, shnf); http://etreedb.org/shn/35140 (Charlie Connor, shnf); http://etreedb.org/shn/101725 (Bob Morris, flac1644); http://etreedb.org/shn/106582 (Bob Morris, 2496); http://etreedb.org/shn/126078 (Richie Stankeiwicz, flac1644); http://etreedb.org/shn/126077 (Richie Stankiewicz, flac2496, this fileset).

! band: JGB #11a (http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html).

! map: https://goo.gl/maps/VSBMqxPR5QP2

! venue: JGBP supplies the given street address, though I am uncertain about it.

! personnel: "I believe his name is spelled D'Fonseca. According to ancestry.com, he was born July 30, 1958 and died March 28, 1987. His father, also named John D'Fonseca was born December 3, 1934 and died January 16, 1977. It seems like Jerry chose to hire Johnny for that east coast tour, but wasn't necessarily planning to use him long-term." (Anonymous, URL http://hooterollin.blogspot.com/2011/11/johnny-de-foncesca-jr-drums.html?showComment=1368021211671#c7721560489908964906)

! review: Wald, Richard. 1980. Jerry Garcia: Relic of the Past. Statesman (SUNY Stony Brook), Alternatives section, February 27, 1980, p. 3A. Negative review. Wald describes the concert as an ordeal, and Garcia as unbudging and stagnant.  "Total lack of regard for the audience"  show opened an insensitive 45 minutes late, 30 minute Hunter set, then another 45 minutes for Garcia to come on, so ca. 11 pm.  "No apologies or helloes were offered, just an evident feeling that Garcia would rather be doing more drugs backstage" ouch. "No Dylan being played", so reviewer doesn't know Masterpiece. Almost another hour between sets, then languid and tedious set, then another half hour wait for the encore! Bemoans Jerry's appalling lassitude and insensitivity.

! review: Jaffe, Larry. 1980. Jerry Garcia Drifts Along. Unknown publication. Negative review. Here's the template, as he sees it: "five minutes to tune up, another five to find the right riff; five minutes later, the vocals came, and then jamming with the same guitar leads for five more minutes. It was like the Jerry Garcia Machine: take a classic song, ... drop the record into the slot, and [sic] comes out sounding like the Grateful Dead. ... incredibly repetitive ... great music to fall asleep by." Didn't like the hourlong intermission, bemoans idolatry of the fans, in whose eyes Garcia "can do no wrong". "A mild indulgence of this sort of aimless shuffling is harmless, but addiction to the Grateful Dead, my friends, is a sad sickness."

! review: Corley, Eric. 1980. Being a Deadhead: Unity and Insanity. Stony Brook Press 1, 8 (February 28, 1980), p. 6. Substantially about "the scene", how odd Deadheads are with their long hair, Volkswagens, their tendency to travel en masse, their rapturous worshipful engagement with Garcia. He thinks he has it figured out: "The reason for the loyalty, devotion and insanity of this particular sampling of mankind lies not so much in the music as in the crowd itself. Thousands of people who get together to smoke pot, scream, and sway with the music provide each other with a much-needed sense of unity."  He finds this endearing. 

! tags: JGB, 1980, Pritchard Gymnasium, SUNY, college gigs, tapers, Richie Stankiewicz, John D'Fonseca, listening notes, east coast, tapers, songs-W

! historical: This show resonates as a very "east coast" show. I write about this as a west coaster, which is fraught, so I don't want to go much into it. But Garcia said repeatedly that there was a New York vibe that he, not only a west coaster but a native San Franciscan, recognized and loved. The energy. Can anyone disagree? It's more interpersonally intense, for sure. New York has it all, and it's right out there for you to plug in to. This is example number 9,477 of an ambient recording supplying more information than a line tape. New York, Long Island, no less, in February, two days after the Miracle on Ice? You know what comes next -- fuhgedaboudit. Related, note that no fewer than five audience tapers made it out this night - East Coast tapers, representing.

! R: field recordist: Richie Stankiewicz

! R: field recording equipment: 2x AKG D222E > Nakamichi 550

! R: field recording location: FOB "in the sweet spot"

! R: Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496, by Richie Stankiewicz.

! R: Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged, by Andrew F. 11/2013.

! R: s2t04 Patch from ID-106582, Tore Up Over You 0:00 > 0:18.

! R: s1t02 a little overloaded on the guitar in Sugaree.

! P: s1t02 tempos are a little uneven, starts too slow but Jerry is trying to pick it up in the 4-5 minute range, to my ears. Crazy fanning in the late 9 minute mark. Yeah, Jer!

! R: s1t03 levels come up around 1:50

! R: s1t05 SHIL more hiss after tape flip

! P: s1t05 SHIL Jerry's voice sounds a little scratchy. Damn coke.

! s1t06 (1) JG "We're gonna take a short break, and we'll be back in a few minutes."

! P: s2t01 JK quotes a famous jazz line, maybe Monk, maybe Epistrophy or something like that?

! P: s2t03 WIPMM Jerry's tone is raunchy as he walks around some very interesting open-sounding guitar work, soloing ca. 1:30-2:30. Now I hear the genius of the tape. Ozzie solos 2:45ff. "Like a rhapsody-y" @ 4:45. Great sustain on his notes this night. He's totally locked in. Jesus he is 100% spot on with his vocals. Extra articulation, big fat bendy notes complementing. Some time in the 7-minute mark a crowd guy gives him a good "Yeah, Jerry!"

! P: s2t04 TUOY now voice sounds a little worn, but hubba hubba the guitar work is top-shelf. Listen to the tone in the 2-minute mark, the sustain. Amazing tone 6:20-6:30 ish, bends a note too far and finds himself off-key (a rare misstep), gets aggressive late 6 over 7-minute mark, some of the most inventive guitar playing that you'll hear. Wow, he is disquisiting now, dissertating, phrases to sentences to paragraphs to pages of flowing creation. Nice. This is a @@ top-shelf version of "When I Paint My Masterpiece".

! P: s2t05 ITAM into some very interesting guitar work 8 minute mark, mid-9 doing some chunka chunka rhythm over the melody. Ozzie is soloing, but he's not very high in the mix, Jerry kind of dominating things.

! P: s2t06 HTC is lightning fast. 7:45 great dissonant tone, raunchy and watery and jangly. 8:15 Johnny D catches Jerry just before he falls, Garcia toes the foothold and launches into another opportunity to chase after shiny sonic objects.

! s2t06 (2) JG: "See ya later."

! s2t07 (3) JG: "Thank you, thank you."